Wednesday, October 25, 2017

Blue Souls In August

When her departure finally befell on that fateful morning, the weather was exaggeratingly calm. He stood searching with agitated eyes across a vacant lounge, in the bedroom closets emptied save for his over-prized suit and overcoat, some under garments scattered as though by a thief.
Bed meticulously made with sheets folded to resemble a letter written with deep thought and mystery. He follows the daze into the next bedroom where her son became his; a pensive little urchin with hazel eyes that reared mischief rather than curiosity. 
That’s how he recalled them at least, and suddenly a chill clung about the silent duplex, lounging in a lifeless delirium.
A sober isolation gripped him like a crazy blanket – a fresh dullness hanging over his head still swimming in last night’s absurd tantrum. 
Décor staring quietly in place, he had chosen to leave her crying; her son safely visiting other boom-gated friends for a sleep-over. His mind needed only indulgence in cheap nightclubs hosting stripper contests.
She, however, was very distraught. 
That he knew or perhaps wished in the deepest of his convoluted soul. He blamed for his failed marriage, a first of other ethereal mundanities he was to experience. 
Touching his only left-over framed image on the coffee table, he realised that he hadn’t seen his daunting resemblance in weeks. 
He also hadn’t seen his daughter for months, but there he sat on a faun leather couch missing another man’s children.
Her birthday was approaching faster than the police who were tailing him as a suspected illegal miner, yet he was vague in thought, pondering the rash and immature choices of a bloated ego of a newly divorced charlatan intent on avenging a castration suffered in secret.
Marrying soon after was dismal adventure as proven by absentia, but it helped him then that she was there, for a while. 
A beaming trophy wife to gloss and flaunt among other infamous Zama Zama’s turned instant township millionaires. 
Had he been convinced otherwise, each glitzy expense he carried for her crown could have been a jewel on his daughter’s head.
This he thought bitterly, hand railing dish-towels as he stooped over to vomit last night’s debauchery into the kitchen basin. 
On the floor, cold he slumps and curls into tensile fetal position and morosely weeps knowing at the back of mind that guilt was his only verdict on disconcerting golden morning of reminiscence.
His sickness infiltrated every room in the duplex, smell of puke and unflushed piss assailing him, alone needing another face to look at for sympathy. 
He cursed his friends for second, because most of them were unsavoury animals or quitters when it came to marriage. 
He didn’t need their company; he didn’t them to weep as he did on the tiled floor.
The smell of the boys’ hair as he kissed their heads was what could calm his nausea, maybe.  
Not hers. 
Her memory in his crimson-eyed head was still clad in a putrid darkness, exhaustingly painful. 
And in that dreaded bedroom where sheets of a letter he alone could read lay folded, he tossed his shivering body onto the bed hardened by vacancy, enveloping his sobs into silent pillows that smelled of her.
And like all dreamers at day, he fell into a bottomless pit children fear, and was overwhelmed by a velvety blackness – curled cold as though the bed had turned into a box. 
Tears stung like psalms from his beseeching daughter under his feverish eyelids, but a body raped of any succulent nectar was hers alone, not his stony skin which hides his most brutal nakedness. Pillows offered no caustic kisses she forgot behind, only channelling guilty memories, no tickling love through his volcanic veins.

***

When he awoke, drenched and longing not to be alone, he realised she had also takenthe car, after a frantic search for the keys and a cautious look into the garage. 
He needed it to get around, but he supposed this was another act of spite; the car, their hard-earned debt he blamed on her. 
She was of course nowhere to defend herself. It was among his purposeless friends that he wanted to be, lost with other blunders that occur in their midst.
All images of their false love had to be eroded.  
And as the clock struck midday he was walking a scotching 30 minute stretch across a sleepy town he chose to live in, lightly walled in a suburban setting of left-over white exclusivity. 
And that eternal illusion of exclusivity which prompts too many a greed had landed him where he was on this day.
A car he needed to possess, but it was evidently gone now. 
He walked into his friend’s hair salon smelling of heated fur and sweat, fumes of chemicals always fluttering from the force of the fan attempting in vain to rid whatever stench of beautification.
And what a perfect distraction a hair salon was to become, with splendid women augmenting their eyelashes, polishing gossip with feline flair while he sunk into their jests and frivolous laughter. It seemed he had broken a long spell listening to giggles and secrets, even though his marriage had lasted barely a year. 
And here he was, privy to disclosures about infected girls and other serial nymphs.
His stomach was calming down but hunger was rolling with each wave of saliva swallowed, as he waited for his friend to finish with a sickeningly quite client. 
And once on their way to scavenge on toxic kiddie meals, they pontificated about travesties of affection, such as when two broken men meet to complain about the marvels of flawed acquaintances and other privileges of allegiances.
“But why did you choose a yellow-bone?
“She looked like a GQ model my man. She still does.”
“Does that mean you crave macheri amangamla?”
“Isn’t it why black men work hard? To live like white men, with maybe a white woman?”
“That is a dangerous way to look at life mfethu.” His friend replied.
“it’s not like I imagine a white woman every time I fuck her...”
“And I am supposed to believe that?
“You are just warped man.”
As they chuckle in escape and intrigued anger, sitting among loafers with their own adventure stories, he bears an inner silence – a death of heart. 
Without another word they vacate the ill stench of the eatery, impossible to tell apart from the rot outside. August winds were rising and started to chewing dust; this was his birth month, eerie and unrelenting upon their blue souls.
He realised how he missed the noise of storms, upsetting conversations and thoughts of numbers. He felt chained to his redundant company and needed to be alone again, to gunner strength for a long haul of life’s solitude.
He never violated the law unnecessarily, but nobody stays pure in this world, it is said. Whatever nobility is desired in loving he knew the cost and frailty of love like a child – only in death. 
Mind wondering through faces, sometimes seen as nemeses, they at times were those that held him in high esteem, peers he bought expensive whisky on weekdays.  
These were the distractions and lives deceiving his senses with clown smiles tricking favours and gunfire away. 
He always felt the law at his tail, sniffing tracks of his straying steps through debris of forsaken dreams, scars and the hopes they reminded him of. 
But, this town of the abandoned welders and boilermakers rusted like car-wrecks in unkempt suburban yards – pudgy dogs barking at black skins at all hours of a maids stay; this was Fochville where his hopes were to decompose.

***

After only a week, that turbulent spark of love became impossible to resurrect, memories now fade into mirages of new acquaintances and infatuations. 
The eternal certainty that change is the fundament of all existence therefore made sense whence the brother vowed to lose himself to bouts of sexual debauchery and lust.
He made a concerted effort at always bedding any easy catch as he’d come to see women, but his money was dwindling after loans sapped the last of auctioned furniture. 
New clothes were fading, even though he tried hard to conceal the sight from a lot of his family members. 
He hid more from himself in fear of facing defeat through eyes of others, but secrets have a penchant for darting their lizard tongues at unexpected times.
So the brother’s vase had to shatter, first crack coming in the form of an eviction that couldn’t be averted with sly promises to pale landlords sweating bullets. 
Second was his mother, as shrewd as a loan-shark let loose in a pond of coins.
She could read a gesture like a spy novel, all habitual deceptions blown out of the swamp she dug greedily, while breeding ambition which made him a money monster. 
It was at this time that his sister became acquainted with a new love in his life, yet another moody entrant he chased for only a weekend amid cautious happiness and coded behaviour.
He, though assailed by a sad reverence for his mother, the brother could not turn back upon footsteps that led him here. 
His mother remained one adversary he constantly avoided, even in the streets of this small community whose secrets were borne like skid-marks for ogling curious urchins. 
A brutal woman in her unabridged honesty; a god-like courage that helped her raise four children of her own and seven others by her siblings.
How her words could cut like a double edged sword, hearts molten by her strokes and quotations from the bible and other sermons. 
And all her profane reproaches had sadly alienated her children by now, so his sisters had reason to hide his secret lover from their mother’s clawing.
Whatever inopportune scandal was discredited by his sisters, their mother was becoming more suspicious while he was content with dodging other shadows that could reveal his previous criminal activities. 
He was always on the lookout, a childhood that died young. 
His mother was always sour, her constant absence and unbearable presences made his feel unaccountable from an early age, he thought.
But he was the one bearing a curse, a vast cruelty though he never could lay a hand on a woman. 
He possessed a glossary of crude invocations that could strip and denude far harshly than rape. 
These he knew and always regretted, but it all seemed his dark and eternal art, and in his mother a mirror of his monstrous soul.

***

It was one evening as a drizzle began to fall that in his digression from morbid thoughts about his mother that he felt a nameless finger jotting his story; a witchcraft that distracts his fate. 
He floundered in a fear of a dismal future unborn, as  he felt himself repeating too many mistakes, agonising about the inevitable and just never being able to his past behind. 
And once the booze were weighing heavy in his belly, making himself home to other worries and unnoticed wishes, a sudden anger blazed in him.
He wanted to run away from something, perhaps his new girlfriend’s embrace and other souls that give him breathe perhaps; towards some other softer exposure to vulnerability among strange thighs. He craved unique women with favoured by frustrations; he grossly envied their companionship that night, all his notepad fantasies and outrageous monologues failing under the crush of slumber.
But tonight he was laying fully clothed and freshly caked with sweat and expectations bigger than his mother’s – he wanted to avenge his betrayal by all means sinister and taboo.
This crisp house made by this woman’s debts only held the physical cold at bay, but he was as ice disguised in the sober decor of his divine madness. 
He would laugh sickly for what seemed a moment, gravity at the back of his throat, a calendar of silences breaking into mirth that was playing a joke on him.
And yes, mucus and tears filmed his throat as the night’s mystery coated the air about him, waiting for her, who left with friends, uneasy and hurt by his deadpan obscenities directed at her.
As dawn whispered with morning gales she returned having developed strength for his impoliteness and ghastly reprimands. 
His beer-hall rudeness was boiling over and beyond redemption, but she sat there on her couch bereft with rage at his cotton-candy love.
His days were numbered she knew, he had to leave, her soggy hands clutching her phone sobbing throughout his apocalyptic tirade. 
His blue soul was flirting with disaster and she snapped, her bile invariably exploding, a weary woman returning the froth of his vomit into his mouth. 
She burst out and admitted her HIV status as the purgatorial scene went outside into the early morning stage with housewives as an audience sweeping dusty street.
He was now on a boat of the damned, she said, his mouth hanging, fists clenched, a quizzing looking on his conquered face. 
She started throwing her clothes out her window, neighbours proven right and an ulcer of jealousy being squeezed in his brain.
He wished to forget, but feminine vengeance has echoes; and as the sun crept over the township he avoided, the taverns he hid in were silent as an amnesiac, the bristles of brooms hissing along as he crumpled his gear into a plastic bag to finally head home.



Monday, October 9, 2017

Remembering Aardklop Nasionale Kunstefees

Being one always keen on any impromptu road-trips with my pseudo-bohemian mates, I must however admit that panic clutched me when I discovered we were visiting the Aardklop Nasionale Kunstefees – held in Potchefstroom nogal, a place of frightening conformity and racists tensions. But a sudden rush of enthusiasm and freedom surged inside, induced by the prospect of a short trip outside of the mundane complacency of Fochvile.

I must also concede that it takes a special breed of revelers to endure what at first glance could seem like common place small town monotony, away from the humdrum city life. Potch has undeniably become a haven for reclusive artists, and many who dare extricate their priorities from glitzy nightlife spectacles and gridlocked traffic nightmares. This change often happens during the early weeks of October; when this canonical town is transformed into an art fair congregating farmers and their crafters from the vast landscape of the North West province. Country Lifestyle experts showcase a variety of products, painters providing snap-shots of an agrarian history and a privileged pride through this festival established some years ago.

Aside from monuments of colonial bravado that forged this town’s identity, a myriad of preserved museums are found perched on ancient streets; Reverend Tobius’ house where he translated the Holy Bible into Afrikaans being one of my favorites. These houses are a marvel of historical preservation, carefully curated and transmitting stories which otherwise remain a cornerstone of future cultural developments of the Afrikaans and English communities established here. And Aardklop is their annual platform to celebrate a diverse, and often conflict ridden histories and cultures, while honoring artisans who have molded the creative spirit of this mining region of South Africa and not ignoring pivotal contributions of the many indigenous peoples in the region.




Despite its questionable multi-cultural make-up and supposed tradition of conservatism, this year’s eruption of creative energy was contagious, with a number of group exhibitions being as compelling as the subject matters and themes addressed in various venues. Take for instance, the DEAD BUNNY SOUP group exhibition curated by Neil Nieuwoudt (Dead Bunny Society), which showcased a number of emerging artists exploring a vast landscape of imaginative representations of social realities which ranged from crises of identity, gender politics as well as environmental concerns.



Among the selected works exhibited was an incredible series of photographic prints titled INEXORABLE by Minien Hattingh, which explored ideas of anonymity and obscured identities; while Collen Mashanganyi’s sculptures questioned metaphors around sexual entitlement based on perceived physical differences in a refreshingly prosaic yet humorous style. His wooden quirky carving radiated colors so innocent in their grace. And having always found superimposed images intriguing and offering multiple lives to a single frame in time’s unfixed adventure, roving through Stephanie Langehoven’s watery images of bodies in fish tanks was a starling experience. They possessed a sophisticated, elegant beauty entwined with a feverishly visible riot by female bodies depicted, intentionally deluding one to think that these were mere body parts similar to those carcasses.




Though the atmosphere at the festival often reeked of white esthetics, it was refreshing to stumble across a discussion hosted by Keleketla Library in one nook in the maze of university grounds. This collaborative initiative between historians, musicians and linguists aimed at retracing and locating semantic origins of Tsotsitaal and eventually Kwaito within the evolution of Afrikaans. Though Afrikaans has often been viewed with suspicion by many aware of its colonial legacy, the Voortrekker history is surprisingly well known by the inhabitants of both Ikageng and the town of Potchefstroom, and this knowledge came out during this seminal discussion I attended at the festival.


The NOU DIE LAS – A Kwaitopedia Of Afrikaans Terms And Phrases Ko Kasi, initiated by Keleketla Library under the guidance of artists and historians Rangoato Tseleng Hlasane, Masello Motana, Vuyiswa Xekatwane and Kgomotso Neto Tleane aimed at tracing the origins of Tsotsitaal from the Afrikaans language, which in itself was linguistic creation creditable to the slave of the Voortrekkers. Among those in attendance were elders who hailed from Ikageng Township, personable jazz aficionados and township historians and storytellers with uncanny knowledge of Tsotsitaal. Well-versed in the history of the town and its inhabitants who descended from Voortrekkers through lineages that span decades, they were speaking to plaas jappies crowded in the Alumni Saal on school trips that exposed white children’s affinity to black rhythms.

These sessions unearthed some hilarious koeksuster meisietjie twerkers and khaki shorts and velskoene pantsulas, while highlighting the multi-dimensionality of kwaito as a language. The facilitators meticulously engaged their audiences with critical and masterful presentations, collating oral testaments and devising meanings for a Kwaitopedia that will legitimize a somewhat obscure sub-culture among ever transient modes of cultural expression. And though these sessions formed an inaugural phase of the initiative, many such sessions will be hosted annually by the festival, with the hope that this initiative gunners adequate financial support to expedite the realization of its primary objective of publishing a compendium of words for posterity. I felt that NOU DIE LAS has ignited a divergent flame razing through the otherwise traditional establishment with Aardklop has become, and  in many ways pioneered a trend that will confront challenges of diversification of the festival.


And as we hitchhiked back home, assailed by inclement drizzle and piercing winds - my friend warm and buzzing from stolen wine, I soaked in the last of the images by Portia Port Wig’s darkly hues of blue cast in oily strokes depicting mirages of ocean surfaces. With those landscape memories looking eerie with clouds sparkling with rage, a truck finally veers off-road to give us a lift, an impulse to continue investigating modes of memory germinated in my mind. From that day, I could look at Potch for portraits of cattle-heads and woolen dolls made by housewives and daughters who are sharpshooters and hunters of game. From that day, Potch became a destination for artistic revolutionaries looking to engage audiences out of the box, a place where recluses are not antagonized but revered.

Image by: Kgomotso Neto Tleane