Tuesday, March 31, 2020

A Series Of Letters To Poets

To James Matthews

Oh Dissident Poet, what of that bullet-riddled space on a fault-line, where earth’s crust can split and a deluge swallow the disenfranchised blacks crammed in The Cape Flats sinking in sands of a plateau?
A Broken People With Broken Dreams, are you still slinking around corner of affluent Sea-point verandahs, blown by gusts of salted winds
I recall your home somewhere there among gang wars and numbers, stuffy with page and ink, books scattered in an order of a man of muscle.
In that slight posture of miserly wisdom, I was reclaimed into unison with a longstanding literary plight.
Yet, what regrettable fragility of Africa’s memory, as poets of the day, confronted by immeasurable pain, they have neglected to honor the scrolls written in ash of charred bodies.

Now, I say Hello Slaapstad, are you still tik infested in the face of castles and robbed islands?
You and your folks recoiled not from the snake of war, many say – but I believe to have been told otherwise.
Papa James, you told about the uprooted who were imprisoned, not for gangland credentials and kill-lists, but for Crying Rage, and spending moons in solitary strain and fear of monitored visits by loved ones.

Is there any likelihood that our prisons will sculpt minds akin yours, among these hordes of branded skins covering molten souls in disarray?
Any new news from Khayelitsha’s squatter camps, marvelous with drunks and de-toothed youngsters strolling sandy eyed and broken, wishing they could annex airport grounds to take flight from despair and family feuds?
Have the addicts been sanctioned a neighborhood, with medicated withdrawals and rehabilitation routines in the city’s cathedrals?
What militarized children are still gatekeepers in Camps Bay, while Mitchell’s Plain is gentrified for lofts sold to absent foreign investors?
How much of the ocean floor is owned by families that jog prized poodles during quarantine, when a scare at Koeberg speaks of eminent meltdowns?
Is Slaapstad still the free colony of the colonizer under today’s gazing dreamers, wizards with technological fingers punting for a greener earth and progressive trends in music and minimalist furniture and fashionable animal skin slippers?

Father, are there any dissidents at your door, knocking for arms and shelves of anthems by other fathers who fought wars that never ended any war?
How many urchins from KwaLanga will be stuffriding burning trains en route to the gravy of Chapman’s Peak loaded buffets? And how many orphans are nuzzling their peers with rifles stolen from broke soldiers and trophy hunters?
Father Matthew, will there be a baptism of a new messiah from that rancid sea, a prophet perched at the helm of a lighthouse?

From Kahahliso Matela
01/04/2020
KOKOSI

Lightly - A Photo Series







Images By: Khahliso Matela

A Mother's Tale - A Conversation


A Series Of Letters To Poets

To Wally Serote

Father and father in Gomora, among those stilted shacks leaning over Juskei River, I wonder if you are still somewhere around London and Selbourne.
The sight of your house, pointed out by a friend, could indeed be a refuge to a paradoxically calm mind such as yours.
Cluttered sidewalks brimming with sales-talk and hooter serenades from taxis ceaselessly wading potholed avenues – did they ever distract your pen or finger about to smack a key?
Poverty simmering in yards roomed with broken brick sheds, I see children frolicking among heating engines of scrappy cars, down long streets, beneath the galaxy of antennas, oh how the thought of you makes my heart skip a beat.
Does your heart skip at the chaos that molds your poetry, the vileness so sublimely spoken to life by your hand?
I know not the worlds you have travelled nor mined for tales and sorrows; but do you mourn this day’s children and unborn?

Would you say we live in cursed times?
Would this haphazard ride down history be worth the dream you and your peers molded from mud and blood?
Are we an epitome of failed posterity, do your greying eyes cringe at the sight of our outspoken mediocrities?

I wonder if you have a sagely poem to sublimely tell our fate, even a dirge our parents can hum when placing final kisses upon our shriveled foreheads – the dying young.
I hear in Setjwetla they burn flesh whose ‘Time has run out’ for incense, because graveyards are full of stones and poisoned shrubs while The Night Keeps Winking way yonder in suburbia.
To date iinyangas at Madala Hostel still sing slogans of defiance with queue marshals in battle dances, while initiates have orgies in closed quarters with daughters of sex-workers.
Every thinning street flanked by shebeens or salons as past-time for a slaughtered youth, will they ever sell books or jazz up these dizzying playlists from rivaling jukeboxes?
Will Alexandra, iconic Dark City with its literary candor and depth, keep these stories etched on its rotting walls, drawing from a time when you lamented days filled with peril, asking:
As our rulers send small boys
To kill our children
To burn our homes
To rape our wives, sister and daughters
Leaving us wounded, so bloodied in war
What shall we do on this day?


From Khahliso Matela
31/03/2020
Kokosi

Monday, March 30, 2020

A Series Of Letters To Poets

To Lefif Tladi

Dashiki Master. I know not how you would otherwise be addressed by those you have touched, but kingly did your words in ink and oils paint a time reminiscent of our present future. Today, millions fear a death ordained by powers of their inauguration, we face unprecedented odd with our frail moral fabric falling apart at the seams. Why did you find repose in whispers, in low chatter of sages huddled around fire of herbs and omens? How did you know that our black secrets would be paling in the flames of industrial flames, our fathers’ last psalms written in shafts like scribbles of despondent prisoners?
You once spoke a marvelous command:
“Kinky hair,
Broad smile
Brown eyes
Thick lips
ACT, THINK Natural and be natural…”

Sadly today, we cannot speak unto ourselves natural truths that bring thorns to soles of those who continue to trample us, but we watch and un-silent our toil is becoming. Like sorcery, we will awaken as ash-ridden flies that danced with charred left-over meats of their feasts.
Through fogs of a vast winter we traverse, over hills and graves knowing not how to name ourselves, perhaps until acknowledging that we were named, by those who bore the past before our present, our fore-bearers for whom the future we aught to birth.
But floundering in neon-lit dazes we gather palms soiling our charms, hoping that death would avenge itself in us.
“It’s a shame, it’s a shame…” looking at the young, still loitering in dead time where fleas pillage their glamour and zeal with false hopes.
Polite speakers chauffeured to offices of rule stand aloft this mud created by their refused lies.
Would you and The Poets see black-coiled hair battalions revolt with barb-wire wrung to our fists? I dare not believe, because many are hoarding crumbs mixed with needles and even feet stomp on bones that fell on their own swords.

But, your languishing hymns sing our nightmares to sobriety; that we know without fail. Though a prophet unheeded, your art spoke a time of forgetting to these present shores of an acid sea.
This sea remains where many sail hoping leaky boats will cross them over the edge, not certain that searching would yield no find.
That discordant ruble of cowhide drums and litter of sobering words is needed now, at a time of dissidence against an unknowable god dispensing pestilence upon humanity.
What fluid words strung over chords and fluted melancholy ravaged your skull when sleep consumed you like death in many minds? I mean, when ancestors composed in your dreams.

Your sons and daughters are beaded in queues to vaccination camps with gold in their veins; our mothers and father fed aged cocktails of stale platitudes.
So what would you do to garner our sundered strength towards a church of dreamers who feared not warring with life’s wish for an ending?
Are we to oblige our souls to eternal servitude, incarcerated and bored with maimed tongues, lusty eyes and dry minds?
Are we not worth your guidance into battle before we are worn-out by frail prayers and protestations for poisoned bread?


From Khahliso Matela
30/03/2020
Kokosi

Tuesday, March 10, 2020

Monday, March 9, 2020

Kokosi A History: MmaDitshego's Story



Kokosi A History

Synopsis

Over the past century, stories about Kokosi have been told, yet none have been captured and vast linkages with persons who occupied this space need are being lost.
This narrative disconnection to history of Kokosi’s origins as evinced among the youth mainly, is proof that many elusive narratives have been told about the story of the place.
But there remains a plethora that is left untold or silenced stories about Kokosi and it therefore becomes essential to find methods of engaging with told stories through elders and those who contributed to the development of the place.
Through this series of personal recollections, unraveling the story of this township commences, giving voice to memory-keepers and weaving flesh on the bones of the deceased.
Kokosi A History does not purport to be an academic investigation, rather a documentary paying homage to a town with many stories, as told through various perspectives.
A method of re-imagining of our collective past, allowing for imagining a future of new stories of triumph and social cohesion in the face of disparate global forces pent on keeping the masses divided.

Tsokololo And The Loan Shark - A Small Story


When Tsokololo decided to fall pregnant with her third child at the age of 27, by any means palatable, she fancied it homage to young souls of dead artists.
Maybe a Hendrixian offspring would germinate in her stale womb, because she often felt stale, rather crudely overused to be warranted any innocence and chastity.
Her morning slippers dragging mud-clots as she paces towards mmaPule’s shack, sultry thighs winking from her gown plastered with pink hearts.
Her idea of having more child support grant to supplement her life was falling too short of the target.
Her hair was falling apart, she smelt rotten at daybreak and even though drinking nightly was tiresome she had no other optional calm.
Babies were forever in a foul mood, a strange set of twin born from a rowdy Malawian man named Zulu.
It was during these rancid mornings of begging for handouts for her starving menaces that she felt more exposed and judged, cornered to be slain by gossip and other religious slings.

“Haau, onste onkolota R450 ya R300 eo ke o fileng yona last month mogirl.”
“Ketla etlisa kaofela mos Pulsie.” Tsokololo retorts with glaring melancholy of a hungover mother with hungry children.
And all she could think about on her way back from prostrating herself in front of her binging buddy was not the pornographic poverty of her stature, but the idea that she will not be the talk of cab-drives to town.
Staring at other kasie vixens strut shamelessly the early morning hours, wailing babies at their backs, others pulled by collars towards nurseries , she wondered if having slept with Zulu was in fact the best revenge against Mlungisi.
Tsokololo gladly folds her arms to cover her roused nipples after Nathi whistles at her from behind his shack. She walks towards him, hand crushing his erection, and eventually brushing a bulgy belly sneaking out of a worn out t-shirt.
“Why osa batle ka buns Maar Tsokololo?”
“Fokof wena maan, ke nahana otla bua ntho e betere waitse…”
Clutching the wings of her gown and hiding the protrotruding navel, she notices drops of dried blood from last night’s brawls.
“Bona o etsa hore ke mentreite nou…” Folo chuckles as he retreats back into his shack, hand scratching buttocks while Tsokololo meanders in a daze.

She had no other plan but to go visit her twins’ grandmother, porridge could always do for children satiated by sugar and cheap crisps, even though her unannounced arrival was to open old wounds.
“Banna ke dintja!” She thought about her own brother with three children on the same street.
And at some interval during her slow trudge towards begging another enemy, an idea crossed her mind that if women of her generation were to have their wombs removed, a lot of born-to-die children would be avoided.
Men castrated or otherwise deprived of procreation could mean lesser mouths to feed and those already dying could as well face the end of their life expectancies without leaving doomed seedlings.
Other morbid chimes of morning crept into her ear, Tsokololo traversing potholes of a township in tatters.
This place she called home for her scatterlings, waiting brewing and stewing in the heat blizzard of summer’s early sun.
Yes, her children were sweating their last nutrients alone, suckling on salty thumbs and naked cloths hanging around a dishwashing basin.
Today, her aim was resolute. Get fucked and die.
Even if by a gang of mine workers ready for action after hammering rock, those rough and scaly hands slamming against her buttocks.
She felt used and useable this morning, but she had to go her dead boyfriend’s mother to shed prayers and sins for food for steam-dried children left to die before reaching 20.

Tsokololo. That name never made sense to her of course, but there – it stuck. Whether it meant ‘one-obsessed with dick” that was no argument for the lucid minds of engineers and psychologists.
A statistic or not, she felt entitled to her mantle as a product of hectic times, fueled by rage and cheap glossy beverages named after celebrity and dead animals.
Her dreams of becoming a songstress muffled by a hum, voice charred by coal smoke from vaping contests in slovenly shebeens, those undying dreams, they kept her alive as some cursed charm of the downtrodden.
Often she would be heard harmonizing with a faraway beat slashed by rotting speakers from some binge-hall, while her sleepy shack slowly gather momentum for dreams and more dreams.
Unfazed, she waltzed past Masphiri’s house, known for selling the coldest beer all hours of a day.

Eyes transfixed on food, or rather feeding her virtual orphans; the ones who drag her by skirt seams from get-togethers and after-tears – she was the fading vixen looking down on her drooping breasts, an early erection of nipples having faded with the dust gusting about.

“wazo khetha ukundizisela isiswana apha ekuseni kangaka, emva konyaka unyana wam’efile?” NoVerse screamed from genuflected posture sweeping rat dropping from her dusty floor.
Tsokololo stood mesmerized by the audacity, the cursed tongue of a vengeful mother who should been by law.
“Mos hase nna ya bolaileng moar hao Mme NoVeerse… and ohopole hore ke ena yaneng a nketeka mehla ena.”  She retorts spitefully between clenched fists in her sweat ridden gown,
“Wa’mchisa ngamanzi abilileyo wena dikazi lo Msotho…”
“Ele wena ya nthutileng ho esta seo ho lona letawa la popelo ya hao!
The obvious was that as they stood faing one another with blood ringing like dumb flies in both skulls, nothing could mend this tattered relation.
She was her children’s grandmother, that fact could not be erased even by lobotomy or any sorcery of sorts; but Tsokololo was a wildling never to be tamed by a woman who never gave birth to her.
On approach of her leaning shack, her first-born was already at plan with a neighbor’s dog, that moldy yard full of dog shit and lazy puppies – but she could not garner strength to reproach the child.
At best he was distracted by fuming stenches of rabid fur and perhaps a piece of bread from the old woman feared to be a witch by churchgoers and tsotsis.
Her love for the young an infinite defense she had against the growing rage of vigilante, fire-stake-protesters.
Ntsika - the last to fall from her sack of seeds was sitting numbly against a fence pole, gazing dreamily at an orange waving plastic bag clipped to dry in the wind of another unschooled township day.

To him, a season of despair it always seemed everyday to be, an eternal clime of their morbid lot, his mother’s swollen navel and bulging belly striking his small timid mind with vile preconceptions of sex and naughty songs.
He sat next to her as she slumped on the ragged couch left by their dead father as sole proof that he once was worked.
Her fingers were tingling with rage, seeing his reflection on his face, a face always asking for repentance for which she had no reason or claim; yet she found herself always apologizing to them.
Like at this moment when she strokes his hair feeling like wooly peas on a soft stone, that smelt of youth perfumed with uncertainty.

Eventually, she had to face that lone shark in this sea of farers who never reach destinations; with all shame folded like a chain around her knuckles – suffocating pleas and appeasing her rage. No matter how enterprising she could be with her body or brow’s sweat, such loans would forever be inherited by her children, hanging like a noose for any to use at first instinct.
“Utandihlawula ngani ungasebenti?”, echoed words from a stuttering Swati accent from  a shrewd woman seated on an exorbitantly kitch sofa.
This was a house to envy, even Tsokololo had to admit, in the midst of angst and nervous surrender to the slurs the money-peddler was plying on her unwashed face.
“Mama hle, ketla etsa plane soon. Ene keisitse CV yaka ko Maspala”.
“Ungati ngemali  yenu yoMagosha la kimina, ngoba ngi’anati nina tikhebereshe teGoli”.
Harshly a warning flashed inside Tsokolo as she watched the woman struggle to stand from her comfortable affluence of tea and soap operas.
She shifted aside as she squeezed past, into a well-laundered bedroom, where possible stack of bank notes were scattered under mattresses or wobbly wardrobes.

After the spectacle of disgrace, Tsokololo could only think of food, first for herself, even before a bath to calm the throbbing in her left food once said to have stepped on umuti.
At a kettle’s whistle, her mind drifted with the smell rising from her humid body, the gown gone sordid with sweat and mud smudges sprinkled on its back.
A bath was to be firs, and at as wrung her facecloth to dry her drooping beasts, through the stretch-marked thighs, somberly glaring at the folded skin resulting from an amateur caesarian, she felt old as a cow’s hide.
Would she ever love herself again, she wondered? Would her face gloss any mirror she glanced at, like during her heydays of proud and naïve adolescence?
As she stared at Ntsika licking his fingers off pap and diced tomatoes mixed with a cocktail of crushed pills, she knew that they would not live to see her age, nor bother with other wonders of life’s cruelty.
That thought alone was balm to her ever suicidal temperament, murderous at times though clad in a slight smile, or a grin to deceive these younglings that all is well with god’s master-plan.
But would there be a soul that will have courage to tell them they were born diseased, a generation never to bloom with the ripeness of new promise?

***

Ntsika decides to join Ntsokolo for game of wire-car races through the maze of a squatter-camp haven they call home.
Men wonder about drunk at noon, dangling their bottles and bags towards homes they will leave in a few hours and inside herself, by herself – Tsokololo, hears an ageless wail of unbearable sorrow.
A multitude of cries welling and burning her chest, she lay on her side feeling separate from her belly full of life and war against birth.
She felt the unborn child wanted not-to-be- born., and haunting as that notion was, she saw no sin in abandoning herself to unsavory resolve.

Tomorrow she would visit the clinic and terminate the pregnancy, but that meant searching this entire scotching afternoon for a babysitter to watch over Ntsika and Ntsokolo.
Her afternoon naps we ceremonially exhausting, fraught with nightmares.
And school children voiced their arrival on mirage covered streets, township air having gained weight of broken and misspent time, Tsokololo would wake and force herself to drag the final hours of the day to rest.
The twins were by then reeking of heat mingled with urine smudges on their pants, palms caked with mud from landfills that bore promises of discarded toys and other bounty.
Morosely, Tsokololo would wonder how they survive electric meshes sprawled between taps, a death-trap net of electric strings hovering on rotting poles, hooked on corrugated steel shacks housing orphans and beaten hopes.
Yet they always came home safe, unharmed and filthy.

Tinges of a forgotten joy always assembles in her breast at such times, watching their faces in nostalgic quarrels about the day’s events; their favorite mischiefs recited like triumphs of disgruntled warriors.
They reflected a marvelous creation of her hopeful womb, unbelievable as that could have seemed, and solace was found in that evidence of life and an ability to give life.
Static strobes from their collapsing TV set in the darkening shack, Ntsokolo connects an overhead bulb and weird light spreads ominous shadows on their shabby curtains and smiling black faces.
Giggles are heard with each joke from their favorite show, and Tsokololo marks her aims on characters costumed in success, make-believe scandals and toxic celebrations, while other peers undoubtedly were also tackling their own demons and sickly romances, her night bore still no promise of respite.