Keorapetse Kgositsile
The wind is caressing
the eve of a new dawn
a dream: the birth
of memory
Who are we? Who
were we? Things cannot go on much as
before. All night long we shall laugh
behind Time's new masks. When the moment
hatches in Time's womb we shall not complain
Where oh where are the men
to matches the fuse to burn
to snow that freezes some
would-be skyward desire
You who swallowed your balls for a piece
of gold beautiful from afar but far from
beautiful because it is coloured with the pus
from your brother's callouses. You who creep
lower than snake's belly because you swallowed
your conscience and sold your sister to soulless
vipers. You who bleached the womb of your daughter's
mind to bear pale-brained freaks. You who bleached
your son's genitals to slobber in the slime of missionary-
eyed faggotry. You who hide behind the shadow of your master's
institutionalized hypocrisy the knees of your soul numbed
by endless kneeling to catch the crumbs from your master's table
before you run to poison your own mother. You too
deballed grin you who forever tell your masters
I have a glorious past I have rhythm I have this
I have that. Don't you know I know all your lies?
The only past I know is hunger unsatisfied
and a kick in the empty belly
from your fat-bellied master
And rhythm don't fill an empty stomach
Who are we? All night long
I listen to the dream soaring
like the tide. I yearn
to slit throats and colour
the wave with the blood of the villain
to make a sacrifice to the gods. Yea,
there is pain in the coil around things.
Where are we? The memory...
and all these years all these lies!
You too over there misplaced nightmare
forever foaming at the mouth forever
proclaiming your anger … a mere
formality because your sight is coloured
with snow. What does my hunger
have to do with a gawdamm poem?
The wind you hear is the birth of memory
when the moment hatches in time's womb
there will be no art talk. The only poem
you will hear will be the spearpoint pivoted
in the punctured marrow of the villain; the
timeless native son dancing like crazy to
the retrieved rhythms of desire
fading
in-
to
memory.
Monday, March 25, 2013
Tuesday, March 19, 2013
THE AIDS MYTH (PART 1) - Fezisa Mdibi
It has become a common reaction
to switch off when one hears HIV/AIDS. We have heard it all! We know what to do
to protect ourselves from it. Whether we actually protect ourselves is another
story. We have seen the campaigns, from television, newspapers, billboards ,
churches and schools.
The message is clear - if you do
not use a condom you might get the HI-Virus which is incurable and leads to a
syndrome called AIDS. If you do get HIV then to reduce your chances of dying
early from AIDS associated illnesses, you MUST take Antiretroviral treatment -
which is - for life.
We know this, its been drummed
into our heads everywhere we go. We have seen infected people and have seen the
statistics on how many people are on ARV treatment which is reported to be
working for them.
BUT.....
What if I told you that HIV is
not a killer virus? That a virus cannot cause a syndrome?
Well, I am 28 years old, HIV
positive for the past 13 years, I was diagnosed after being raped twice in my
teens. This is my take on the dogma that HIV=AIDS=DEATH. Before I begin to
share what I have found out over the past years let me start with telling you
that, for me, the research about AIDS wasn’t a story nor a matter of curiousity.
It was MY life and death. It is MY truth. Being diagnosed with HIV is a
traumatic experience emotionally, physically and mentally. Some never recover
from the shock and some die from it.
THE DISCOVERERS OF HIV
Human Immunodeficiency Virus was
discovered in 1981 in America. This virus is reported to cause Acquired
Immunodeficiency Sydrome which is a condition in humans in which a progressive
failure of the immune system allows life-threatening opportunistic infections
and cancers to thrive.
We always hear about the year in
which the virus was discovered in the media but seldom about the people who
discovered it and how they did it.
Dr Gallo discovered the virus. At
the time that of his discovery, gay men were dying of a mysterious cancer-like
disease which the Center for Disease Control (CDC) could not identify. In 1980
there were no reported cases of HIV, yet in 1995 there were thousands of people
infected.
Take note that there are
currently 30 different diseases that result in AIDS death. We need to ask
ourselves that after 30 years and billions of funds into research, why has the research failed?
In a press conference held in
April 1984, Margaret Heckler - the then Secretary of Health and Human Services
in America, with Dr Gallo, announced that the probable cause for AIDS is
HIV. Heckler then said a vaccine would
be available for testing by 1986.
Dr Gallo in his discovery that
HIV causes AIDS bypassed all checkpoints to his discovery as dictated by the
scientific world. The research was not peer reviewed and it was published after
the press conference which is something that goes against scientific protocol.
The Institute Pasteur in Paris
proceeded to then claim that Gallo's AIDS virus was actually their discovery.
This claim was diplomatically resolved by President Reagan and the agreement
was for the US and France to split the profits on the antibody blood test kit.
When Gallo's research was
published, it was also discovered that only 44 of the 93 AIDS patients he
tested actually had the virus (1). The argument that HIV does not cause AIDS
has been dismissed by many, suppressed by the media and
disputed by the political-economic powers of AIDS industry, yet a growing group
of scientist are disputing the current hypothesis.
These scientists, comprising of 12
Nobel prize recipients (2) and lead by Charles Thomas - a medical research
biologist and Havard Professor - believe that the reason AIDS research has
failed is because it never found the cause of it. It is too late to turn back
as millions of people have been told that they are dying, have been given a
misdiagnosis and toxic drugs (ARVs).
Neville Hodgkinson of London
Sunday Times said in April 26, 1992 on the question of If HIV does not cause
AIDS: '...then we will have witnessed the biggest medical and scientific
blunder of this century.'
The group for scientific
reappraisal of HIV/AIDS hypothesis, lead by Charles Thomas wrote a letter to
many medical journals which stated:
"It is widely believed by the general pubic that a retrovirus called HIV
causes a group of diseases called AIDS.
Many bio-medical scientists now question this hypothesis. We propose a
thorough re-appraisal of the existing evidence for and against this hypothesis
be conducted by a suitable independent group. We further propose that a
critical epidemiological study be devised and undertaken."
The letter was rejected by all
medical journals. The scientists then
extended the number of signatories in the letter to 600, still
unpublished. Meanwhile at the San
Franscisco AIDS conference in 1990, Luc Montagnier (French co-discoverer of
HIV) said: "HIV might be benign (harmless).”
The matter did not receive any
spotlight. If HIV does not cause AIDS,
then what does? Why are people dying
from AIDS related symptoms after testing positive for HIV antibody test?
THE HIV ANTIBODY TEST
There are currently numerous
studies listing 70 non-HIV conditions that can make the test produce false
positive results.(3) Christine Johnson
from the HEAL organisation in Los Angeles listed these condition in a September/October
1996 Continuum with over 60 references to the false positive study from
scientists. One of the facts Christine points out is that the proteins used in
the HIV test have never been proven to be unique or specific to for HIV.
That means the scientific
evidence cannot prove that a positive HIV test means that you have HIV or any
other health problem and it says so right on EVERY TEST PACKAGE. Most doctors and patients never see this
disclaimer. It is reported that when Dr Gallo and Margaret Heckler were making the
announcement of HIV causing AIDS at the press conference in 1984, the blood
test/method used to detect HIV was being patented [By whom? Gallo?]. This patent would subsequently earn large sums
of money in royalties
to Gallo (4).
HIV follows the pattern of
passenger viruses that do not cause a disease. Passenger viruses typically infect and are neutralized
long before a disease can occur. HIV follows the same pattern. Because only
antibodies against HIV are detected in the test, therefore AIDS is defined by
these since it was discovered. Virologist Peter Deusberg has said.
REASONS WHY HIV DOESN’T CAUSE AIDS
* HIV, like any retrovirus, is
harmless after antibody immunity.
* HIV does not kill the T-cells
it infects. Retroviruses do not kill the host cells.
* HIV does not infect enough T-cells
to cause AIDS. T-cells reproduce at a rate of 5% a day. HIV infects 1 out of every 1000 T-cells. AIDS patients lack T-cells and depletion
should kill more than half of these cells.
* There is no such thing as a
slow virus yet the HI-Virus takes years to cause AIDS. HIV is inactive for over 10 years then causes
30 different diseases that are previously known to men. In 1984 the life
expectancy with HIV was one year, in 1996 it was 10-12 years.
* HIV is not a new virus so it
could not cause a new epidemic yet AIDS cases have increased from 0 in 1980 to
half a million in 1995 (5).
* HIV fails the Koch's postulates
(Robert Koch discovered that TB is caused by bacteria) which states that with
the discoveries of viruses, they should all follow the same 4 patterns using
these guidelines - Associate, Isolate, RE-isolate and Inoculate. Koch specifies that
1.1 The same micro-organism must
be present in every case of the disease (there are currently HIV negative AIDS
patients)
1.2 The virus must be cloned and
grown in pure culture
1.3 The virus must cause the
disease when inoculated into a healthy host
1.4 The virus must be isolated in
pure culture from an experimentally infected host
Other diseases that failed Koch's
postulates and failed to be infectious are: Scurvy, Beri Beri, Pelegra, SMON
and VIrus Cancer (6)
* According to science, the virus
incubation period is 8-24 hours. HIV infections show signs within 5-10 years
yet HIV replicates in 24 hours? (7)
* AIDS has remained in the
original risk groups. If a disease does not spread across the population, it
must be caused by something non-infectious. In 1992 the number of infections
between different risk groups were: Gay 62%, IV Drug users 32% Hemophiliacs 1%,
Blood transfusion patients 2% (8).
* The international profile of
AIDS patients is inconsistent. While in
the US aids resides in 97% of the risk groups, in Africa it is a random
occurrence.
As an HIV positive person, I have
gone through different HIV/AIDS institutions from public to private health care
centres. Most testing centres do not
have sufficient knowledge, they simply repeat what they have been told. I have
posed questions to them about the testing process and the different testing
kits and have been met with blank stares in some and those who have the answers
repeat the same thing.
It is not their fault as they are
doing a job they have been taught, but it is irresponsible to put millions of
people's mental, emotional and physical well being on individuals that do not
know the difference between an ELISA and Western Blot test or what the test
package insert says. These are people's lives.
People that have been given the
authority to tell others that they have a killer virus should at least have
advanced knowledge on the subject. Being told you are HIV positive is a
traumatic experience.
The truth is that these diseases
had to be put under one umbrella as AIDS for research funding while people were
in fact dying of age old diseases. What is new about TB and diarrhoea in
Africa? There are also other diseases that resemble AIDS i.e. drug use and
anorexia. HI-Virus has no specific new
disease but somehow causes the previously known diseases under the AIDS
umbrella. The real causes of AIDS will
continue to take lives while funds go to a failed hypothesis.
(In Part 2 I explore the causes
of AIDS in Africa)
References:
1. Science Volume 224 May 4 1984
2. The Group of Scientific
Reappraisal of the HIV/AIDS Hypothesis
3. www.helpforhiv.com
4. The emperor's new disease
5. CDC report June 1995
6&7. 'A World Without Aids'
by Phillip Day and Steven Ransom (Credence Publishers 2000)
8. CDC report 1992
Photography by: Flo Mokale (Thanks to Fesiza)
Lately, There Is Zetina
Lately, I am in awe of
female talent brewing on the margins of our cosmopolitan soundscapes. I had a
conversion of sorts with Zetina Mosia,
one having to do with her single ‘Lately’.
Harmonies of
delinquencies; hymns of an age of disillusionment and deterred ambition have
become the gum stuck on the wheel of transience, and once in a while a piece
falls along the way side. Zetina Mosia
is for me that proverbial stone cast aside when it was of essence in the robust
masonry of the tower of South African expression. But a formidable presence
they are carving on the Jozi scene, with performances at a variety of hotspot
for creative minds. I struggled to box and label their new style of music more
because it resonates of a cluttered symbiosis akin my own mental temperament.
So if perhaps my dismembered emotions can be encapsulated in a band’s dynamo,
propelling my soul through most intricate passages – this sound would come
damningly close.
Zetina not only stamps a distinctive signature to the overall cacophony of near
improvised sensuality, but the hiccup induced by acutely dramatic
instrumentation leaves tears welling up my throat. Guess I am too sentimental
and prosaic, but what the hell. Their sound is an absolutely, insanely
incredible beauty.
The ludicrously grand
production design of ‘sampletologist’ Kanif
Sebright, in its ambition, gives new production clarity and more musical
depth to the “indie scene”. Equally balanced by flawless musical arrangements from
long time musical collaborator Tshepo
Tsotetsi (clarinet) and guitarist whose fluid chords and notes tickle other
dimensions of musical experience; we have an offering that will sure make airwaves
act ionised this year.
The album doesn’t defy
much of the logic that undergirds the public idea of love, relationships and
social ills, but goes beyond that revolutionary- inflected idiom of chocolate
love. With lyrics that are ironic and troubling; inhabiting increasingly complicated
spaces of romantic relationships (taking for instance Tainted Love) the
selection brings a personalised and visceral sense of universality, exploring
emotions any human can feel without racialised romantic dysfunction. This music
makes one believe in the power of human intimacy and affection.
Zetina can be
considered a metaphor for the intertwining of social, cultural and
technological tools of contemporary expression. Working in an industry in which fans and trendsetters alike routinely
confuse the spectacle with the spectacular, she is proving that she is here to
stay.
Laced on a wave of
alternating instrumental and electronic dub mixed compositions, (and the iconic
sample from The Clash’s Tainted Love)
you have to understand that these musicians mean business when it comes to
expanding the repertoire.
The character of their
compositions is overwhelming contemplative and evanescent: impressive at the
moment itself, but never lost afterwards.
Take for an example Sneaky; it bloody sneaks up on you. And
given the song's possible intent of execution, it seems designed to illustrate
the utter futility of the actual action of infidelity. Vocalizing in a husky voice influenced by jazz,
hip hop and classic soul, she demonstrates a range reminiscent of such genre-busting
innovators as Meshell NdegeOcello,
Simphiwe Dana or Meklit Hadero.
And on such a
foundation of potential greatness, I foresee this musical venture moving
beyond the common political complacency expressed by most artists of the day.
(Fotos from the artist)
(Fotos from the artist)
Monday, March 18, 2013
Sunday, March 17, 2013
Ghetto Proverbs - The Documentary
Ghetto Proverbs
The general cultural climate of the early 90’s was as important in fostering the early development of "conscious" hip hop in South Africa as the events did also usher in the advent of our democratic dispensation.
Art
collectives, musical cliques and groupies began sprouting everywhere, street
corners became chapels where politically attuned groups were established to
voice minority viewpoints and an alternative language of resistance. The youth
were voicing concerns, and their vocabulary became increasingly sophisticated
and politicalised. And here is a record of music as a tool of struggle, Hip Hop a metaphor for resistance; in the way which
various generations of African Freedom fighters took responsibility for guiding
their people to freedom.
“The
plight of ignorance will only be conquered through conscious music we talk!” Zulu Boy exclaims.
Ghetto Proverbs is a documentary
that depicts the myth of retellings that is the heart of Hip Hop in South
Africa, a compilation of voices that are counterintuitive to pop stardom. An illustrious
piece of work, which represents the black youth’s ability to critique, to analyse
and provide commentary on society’s ills. It is a chronicle of the undying
spirit of the un-exploitable activist hip hop, recording utterances by those who
write independent thoughts about police brutality, self-hate and sexism .
With
most academic credentials obsessed with intellectualising the global hip hop culture, this medley of creative minds is those few who have mastered what
Adomas calls “The Trick of the Trade!”
“The trick of the trade is to not be a slave…” he surmises in an interview, further confirming that the hip hop movement in SA is beyond consumerist strangleholds and has formulated a pedagogy of resistance that helped resist the "dehumanizing project” on black folks.
“The trick of the trade is to not be a slave…” he surmises in an interview, further confirming that the hip hop movement in SA is beyond consumerist strangleholds and has formulated a pedagogy of resistance that helped resist the "dehumanizing project” on black folks.
A variety
of views around poverty, sexualisation of the media, corruption in the
political domain are what propels the narrative pace of the film towards that
bopping side-stepping tempo which seems like an expose of an uncommon world. With beats and impromptu
videos giving us reliefs, we are left to digest the proverbial messages of a
disgruntled populace of the young, with the story guided by poised
inquisitiveness of Nosisi. The
discoveries about pertinent issues for Africans are tackled in a concrete
intellectual engagement that proposes solutions for problems of aggrieved
Africans. This sets the film apart from many that explored the music itself, as opposed to the politics expressed by the music. Notable commentators such as The
Hymphatic Thabs, Tumi, Proverb to name but a few, give this film the
academic panache of an anthropological
analysis of “a culture in transition”, music at the cross-roads of evolution;
when commercialism and the monopolist capitalist machines are assimilating all
forms of independent expression.
Robo The Technician cautions the new
generation of hip Hoppers against the syndrome of “Reliance” on government and
other social structures and more especially western patterns of culture. He is
one of the Hip Hoppers who employ past voices and images of freedom fighters and
political figures and events in their music, to keep the message of our
ancestors relevant in contemporary social narrative. This film has
collected a formidable ensemble of MC’s to posit arguments for carrying on the
tradition of self-determination and knowledge dissemination. It is a
metaphysical discourse on issues of the contemporary man assailed by a plethora
of conflicting trends and ideas of identity, told through beat and rhyme and
the chaos that is JUST LIFE.
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