Monday, March 25, 2013

TOWARDS A WALK IN THE SUN

Keorapetse Kgositsile

The wind is caressing
the eve of a new dawn
a dream: the birth
of memory

Who are we? Who
were we? Things cannot go on much as
before. All night long we shall laugh
behind Time's new masks. When the moment
hatches in Time's womb we shall not complain

Where oh where are the men
to matches the fuse to burn
to snow that freezes some
would-be skyward desire
You who swallowed your balls for a piece
of gold beautiful from afar but far from
beautiful because it is coloured with the pus
from your brother's callouses. You who creep
lower than snake's belly because you swallowed
your conscience and sold your sister to soulless
vipers. You who bleached the womb of your daughter's
mind to bear pale-brained freaks. You who bleached
your son's genitals to slobber in the slime of missionary-
eyed faggotry. You who hide behind the shadow of your master's
institutionalized hypocrisy the knees of your soul numbed
by endless kneeling to catch the crumbs from your master's table
before you run to poison your own mother. You too
deballed grin you who forever tell your masters
I have a glorious past I have rhythm I have this
I have that. Don't you know I know all your lies?
The only past I know is hunger unsatisfied
and a kick in the empty belly
from your fat-bellied master
And rhythm don't fill an empty stomach




Who are we? All night long
I listen to the dream soaring
like the tide. I yearn
to slit throats and colour
the wave with the blood of the villain
to make a sacrifice to the gods. Yea,
there is pain in the coil around things.

Where are we? The memory...
and all these years all these lies!
You too over there misplaced nightmare
forever foaming at the mouth forever
proclaiming your anger … a mere
formality because your sight is coloured
with snow. What does my hunger
have to do with a gawdamm poem?

The wind you hear is the birth of memory
when the moment hatches in time's womb
there will be no art talk. The only poem
you will hear will be the spearpoint pivoted
in the punctured marrow of the villain; the
timeless native son dancing like crazy to
the retrieved rhythms of desire
fading
in-

to
memory.



Tuesday, March 19, 2013

THE AIDS MYTH (PART 1) - Fezisa Mdibi



It has become a common reaction to switch off when one hears HIV/AIDS. We have heard it all! We know what to do to protect ourselves from it. Whether we actually protect ourselves is another story. We have seen the campaigns, from television, newspapers, billboards , churches and schools.

The message is clear - if you do not use a condom you might get the HI-Virus which is incurable and leads to a syndrome called AIDS. If you do get HIV then to reduce your chances of dying early from AIDS associated illnesses, you MUST take Antiretroviral treatment - which is - for life.

We know this, its been drummed into our heads everywhere we go. We have seen infected people and have seen the statistics on how many people are on ARV treatment which is reported to be working for them.

BUT.....

What if I told you that HIV is not a killer virus? That a virus cannot cause a syndrome?

Well, I am 28 years old, HIV positive for the past 13 years, I was diagnosed after being raped twice in my teens. This is my take on the dogma that HIV=AIDS=DEATH. Before I begin to share what I have found out over the past years let me start with telling you that, for me, the research about AIDS wasn’t a story nor a matter of curiousity. It was MY life and death. It is MY truth. Being diagnosed with HIV is a traumatic experience emotionally, physically and mentally. Some never recover from the shock and some die from it.

THE DISCOVERERS OF HIV

Human Immunodeficiency Virus was discovered in 1981 in America. This virus is reported to cause Acquired Immunodeficiency Sydrome which is a condition in humans in which a progressive failure of the immune system allows life-threatening opportunistic infections and cancers to thrive.

We always hear about the year in which the virus was discovered in the media but seldom about the people who discovered it and how they did it.
Dr Gallo discovered the virus. At the time that of his discovery, gay men were dying of a mysterious cancer-like disease which the Center for Disease Control (CDC) could not identify. In 1980 there were no reported cases of HIV, yet in 1995 there were thousands of people infected.
Take note that there are currently 30 different diseases that result in AIDS death. We need to ask ourselves that after 30 years and billions of funds into research, why has the research failed?
In a press conference held in April 1984, Margaret Heckler - the then Secretary of Health and Human Services in America, with Dr Gallo, announced that the probable cause for AIDS is HIV.  Heckler then said a vaccine would be available for testing by 1986.
Dr Gallo in his discovery that HIV causes AIDS bypassed all checkpoints to his discovery as dictated by the scientific world. The research was not peer reviewed and it was published after the press conference which is something that goes against scientific protocol.
The Institute Pasteur in Paris proceeded to then claim that Gallo's AIDS virus was actually their discovery. This claim was diplomatically resolved by President Reagan and the agreement was for the US and France to split the profits on the antibody blood test kit.
When Gallo's research was published, it was also discovered that only 44 of the 93 AIDS patients he tested actually had the virus (1). The argument that HIV does not cause AIDS has been dismissed by many, suppressed by the media and disputed by the political-economic powers of AIDS industry, yet a growing group of scientist are disputing the current hypothesis. 

These scientists, comprising of 12 Nobel prize recipients (2) and lead by Charles Thomas - a medical research biologist and Havard Professor - believe that the reason AIDS research has failed is because it never found the cause of it. It is too late to turn back as millions of people have been told that they are dying, have been given a misdiagnosis and toxic drugs (ARVs). 
Neville Hodgkinson of London Sunday Times said in April 26, 1992 on the question of If HIV does not cause AIDS: '...then we will have witnessed the biggest medical and scientific blunder of this century.'

The group for scientific reappraisal of HIV/AIDS hypothesis, lead by Charles Thomas wrote a letter to many medical journals which stated: "It is widely believed by the general pubic that a retrovirus called HIV causes a group of diseases called AIDS.  Many bio-medical scientists now question this hypothesis. We propose a thorough re-appraisal of the existing evidence for and against this hypothesis be conducted by a suitable independent group. We further propose that a critical epidemiological study be devised and undertaken."

The letter was rejected by all medical journals.  The scientists then extended the number of signatories in the letter to 600, still unpublished.  Meanwhile at the San Franscisco AIDS conference in 1990, Luc Montagnier (French co-discoverer of HIV) said: "HIV might be benign (harmless).”

The matter did not receive any spotlight. If HIV does not cause AIDS, then what does?  Why are people dying from AIDS related symptoms after testing positive for HIV antibody test?

THE HIV ANTIBODY TEST

There are currently numerous studies listing 70 non-HIV conditions that can make the test produce false positive results.(3)  Christine Johnson from the HEAL organisation in Los Angeles listed these condition in a September/October 1996 Continuum with over 60 references to the false positive study from scientists. One of the facts Christine points out is that the proteins used in the HIV test have never been proven to be unique or specific to for HIV. 
That means the scientific evidence cannot prove that a positive HIV test means that you have HIV or any other health problem and it says so right on EVERY TEST PACKAGE.  Most doctors and patients never see this disclaimer. It is reported that when Dr Gallo and Margaret Heckler were making the announcement of HIV causing AIDS at the press conference in 1984, the blood test/method used to detect HIV was being patented [By whom? Gallo?]. This patent would subsequently earn large sums of money in royalties to Gallo (4).

HIV follows the pattern of passenger viruses that do not cause a disease. Passenger viruses typically infect and are neutralized long before a disease can occur. HIV follows the same pattern. Because only antibodies against HIV are detected in the test, therefore AIDS is defined by these since it was discovered. Virologist Peter Deusberg has said.

REASONS WHY HIV DOESN’T CAUSE AIDS

* HIV, like any retrovirus, is harmless after antibody immunity.
* HIV does not kill the T-cells it infects. Retroviruses do not kill the host cells.
* HIV does not infect enough T-cells to cause AIDS. T-cells reproduce at a rate of 5% a day.  HIV infects 1 out of every 1000 T-cells.  AIDS patients lack T-cells and depletion should kill more than half of these cells.
* There is no such thing as a slow virus yet the HI-Virus takes years to cause AIDS.  HIV is inactive for over 10 years then causes 30 different diseases that are previously known to men. In 1984 the life expectancy with HIV was one year, in 1996 it was 10-12 years.
* HIV is not a new virus so it could not cause a new epidemic yet AIDS cases have increased from 0 in 1980 to half a million in 1995 (5).
* HIV fails the Koch's postulates (Robert Koch discovered that TB is caused by bacteria) which states that with the discoveries of viruses, they should all follow the same 4 patterns using these guidelines - Associate, Isolate, RE-isolate and Inoculate.  Koch specifies that
1.1 The same micro-organism must be present in every case of the disease (there are currently HIV negative AIDS patients)
1.2 The virus must be cloned and grown in pure culture
1.3 The virus must cause the disease when inoculated into a healthy host
1.4 The virus must be isolated in pure culture from an experimentally infected host
Other diseases that failed Koch's postulates and failed to be infectious are: Scurvy, Beri Beri, Pelegra, SMON and VIrus Cancer (6)
* According to science, the virus incubation period is 8-24 hours. HIV infections show signs within 5-10 years yet HIV replicates in 24 hours? (7)
* AIDS has remained in the original risk groups. If a disease does not spread across the population, it must be caused by something non-infectious. In 1992 the number of infections between different risk groups were: Gay 62%, IV Drug users 32% Hemophiliacs 1%, Blood transfusion patients 2%  (8).
* The international profile of AIDS patients is inconsistent.  While in the US aids resides in 97% of the risk groups, in Africa it is a random occurrence. 

As an HIV positive person, I have gone through different HIV/AIDS institutions from public to private health care centres.  Most testing centres do not have sufficient knowledge, they simply repeat what they have been told. I have posed questions to them about the testing process and the different testing kits and have been met with blank stares in some and those who have the answers repeat the same thing.

It is not their fault as they are doing a job they have been taught, but it is irresponsible to put millions of people's mental, emotional and physical well being on individuals that do not know the difference between an ELISA and Western Blot test or what the test package insert says. These are people's lives.

People that have been given the authority to tell others that they have a killer virus should at least have advanced knowledge on the subject. Being told you are HIV positive is a traumatic experience.

The truth is that these diseases had to be put under one umbrella as AIDS for research funding while people were in fact dying of age old diseases. What is new about TB and diarrhoea in Africa? There are also other diseases that resemble AIDS i.e. drug use and anorexia.  HI-Virus has no specific new disease but somehow causes the previously known diseases under the AIDS umbrella.  The real causes of AIDS will continue to take lives while funds go to a failed hypothesis. 

(In Part 2 I explore the causes of AIDS in Africa)

References:
1. Science Volume 224 May 4 1984
2. The Group of Scientific Reappraisal of the HIV/AIDS Hypothesis
3. www.helpforhiv.com
4. The emperor's new disease
5. CDC report June 1995
6&7. 'A World Without Aids' by Phillip Day and Steven Ransom (Credence Publishers 2000)
8. CDC report 1992

Photography by: Flo Mokale (Thanks to Fesiza)

Views from Constitution Hill - Khahliso Matela


















Lately, There Is Zetina

Lately, I am in awe of female talent brewing on the margins of our cosmopolitan soundscapes. I had a conversion of sorts with Zetina Mosia, one having to do with her single ‘Lately’


Harmonies of delinquencies; hymns of an age of disillusionment and deterred ambition have become the gum stuck on the wheel of transience, and once in a while a piece falls along the way side. Zetina Mosia is for me that proverbial stone cast aside when it was of essence in the robust masonry of the tower of South African expression. But a formidable presence they are carving on the Jozi scene, with performances at a variety of hotspot for creative minds. I struggled to box and label their new style of music more because it resonates of a cluttered symbiosis akin my own mental temperament. So if perhaps my dismembered emotions can be encapsulated in a band’s dynamo, propelling my soul through most intricate passages – this sound would come damningly close.


Zetina not only stamps a distinctive signature to the overall cacophony of near improvised sensuality, but the hiccup induced by acutely dramatic instrumentation leaves tears welling up my throat. Guess I am too sentimental and prosaic, but what the hell. Their sound is an absolutely, insanely incredible beauty.
The ludicrously grand production design of ‘sampletologist’ Kanif Sebright, in its ambition, gives new production clarity and more musical depth to the “indie scene”. Equally balanced by flawless musical arrangements from long time musical collaborator Tshepo Tsotetsi (clarinet) and guitarist whose fluid chords and notes tickle other dimensions of musical experience; we have an offering that will sure make airwaves act ionised this year.
The album doesn’t defy much of the logic that undergirds the public idea of love, relationships and social ills, but goes beyond that revolutionary- inflected idiom of chocolate love. With lyrics that are ironic and troubling; inhabiting increasingly complicated spaces of romantic relationships (taking for instance Tainted Love) the selection brings a personalised and visceral sense of universality, exploring emotions any human can feel without racialised romantic dysfunction. This music makes one believe in the power of human intimacy and affection.


Zetina can be considered a metaphor for the intertwining of social, cultural and technological tools of contemporary expression. Working in an industry in which fans and trendsetters alike routinely confuse the spectacle with the spectacular, she is proving that she is here to stay.
Laced on a wave of alternating instrumental and electronic dub mixed compositions, (and the iconic sample from The Clash’s Tainted Love) you have to understand that these musicians mean business when it comes to expanding the repertoire.
The character of their compositions is overwhelming contemplative and evanescent: impressive at the moment itself, but never lost afterwards.

Take for an example Sneaky; it bloody sneaks up on you. And given the song's possible intent of execution, it seems designed to illustrate the utter futility of the actual action of infidelity. Vocalizing in a husky voice influenced by jazz, hip hop and classic soul, she demonstrates a range reminiscent of such genre-busting innovators as Meshell NdegeOcello, Simphiwe Dana or Meklit Hadero.
And on such a foundation of potential greatness, I foresee this musical venture moving beyond the common political complacency expressed by most artists of the day.

(Fotos from the artist)

Winter's Rising Sun






Photographs by: Paul Zisiwe

Sunday, March 17, 2013

Ghetto Proverbs - The Documentary


Ghetto Proverbs
  
The general cultural climate of the early 90’s was as important in fostering the early development of "conscious" hip hop in South Africa as the events did also usher in the advent of our democratic dispensation.
Art collectives, musical cliques and groupies began sprouting everywhere, street corners became chapels where politically attuned groups were established to voice minority viewpoints and an alternative language of resistance. The youth were voicing concerns, and their vocabulary became increasingly sophisticated and politicalised. And here is a record of music as a tool of struggle, Hip Hop a metaphor for resistance; in the way which various generations of African Freedom fighters took responsibility for guiding their people to freedom.

“The plight of ignorance will only be conquered through conscious music we talk!” Zulu Boy exclaims.

Ghetto Proverbs is a documentary that depicts the myth of retellings that is the heart of Hip Hop in South Africa, a compilation of voices that are counterintuitive to pop stardom. An illustrious piece of work, which represents the black youth’s ability to critique, to analyse and provide commentary on society’s ills. It is a chronicle of the undying spirit of the un-exploitable activist hip hop, recording utterances by those who write independent thoughts about police brutality, self-hate and sexism .

With most academic credentials obsessed with intellectualising the global hip hop culture, this medley of creative minds is those few who have mastered what Adomas calls “The Trick of the Trade!” 
“The trick of the trade is to not be a slave…” he surmises in an interview, further confirming that the hip hop movement in SA is beyond consumerist strangleholds and has formulated a pedagogy of resistance that helped resist the "dehumanizing project” on black folks.

A variety of views around poverty, sexualisation of the media, corruption in the political domain are what propels the narrative pace of the film towards that bopping side-stepping tempo which seems like an expose of an uncommon world. With beats and impromptu videos giving us reliefs, we are left to digest the proverbial messages of a disgruntled populace of the young, with the story guided by poised inquisitiveness of Nosisi. The discoveries about pertinent issues for Africans are tackled in a concrete intellectual engagement that proposes solutions for problems of aggrieved Africans. This sets the film apart from many that explored the music itself, as opposed to the politics expressed by the music. Notable commentators such as The Hymphatic Thabs, Tumi, Proverb to name but a few, give this film the academic  panache of an anthropological analysis of “a culture in transition”, music at the cross-roads of evolution; when commercialism and the monopolist capitalist machines are assimilating all forms of independent expression.
 

Robo The Technician cautions the new generation of hip Hoppers against the syndrome of “Reliance” on government and other social structures and more especially western patterns of culture. He is one of the Hip Hoppers who employ past voices and images of freedom fighters and political figures and events in their music, to keep the message of our ancestors relevant in contemporary social narrative. This film has collected a formidable ensemble of MC’s to posit arguments for carrying on the tradition of self-determination and knowledge dissemination. It is a metaphysical discourse on issues of the contemporary man assailed by a plethora of conflicting trends and ideas of identity, told through beat and rhyme and the chaos that is JUST LIFE.