The last
brilliant hip hop/rap song I heard that eloquently elaborated on the uncouth
relationship between rap and the media was "Labels" by GZA from his seminal album Liquid Swords.
The
veteran American pimp MC Too Short recently admitted in an interview that
"There Is An Industry-Wide Plot To Shut Down Conscious Hip Hop".
I cannot help
but wonder if our local hip hop scene isn't under same duress due to media
reservations, considering the debacle behind the release of Mawe2’s Dreamworld.
Hip Hop
is not just a genre of music, nor is it strictly the derogatory things that the
media portrays it to be, of course; recalling Chuck D’s famed remark that “Rap
is CNN for Black people”’
I don't
claim to be a true "head", but my love for the genre spans decades
and I'm really over the "dirty" approach to appreciating the genre,
because I still can't rhyme nor remember lyrics by heart.
Hip Hop for
me is a consciousness; it's not my kind of hip hop unless it's about resistance
and protest. It's not hip-hop to me unless it's about the liberation of all
oppressed peoples.
What I
consider hip hop doesn't perpetuate demeaning stereotypes, and neither fosters
nor revels in misogyny or internalized racism.
Maybe
there was never that kind of hip hop I am nostalgic about and the hip hop I
remember is a figment of my imagination.
But that
cannot be because there is Tumi with
his volumes of intelligent discourse, there is Thabz’ furious poetics, Optical Illusion, Robo The Technician and hell Basemental
Platform is still grooming new sonic offspring for the masses.
Fortunately,
that's the kind of hip hop that resonates from Mawe2 within this vast empire of hip-hop, and he is rapidly
becoming one of the pivotal musicians in the genre.
Since his
“A Fool’s Hope” debut, Mawe2 went to pen and co-produce Dreamworld in 2011 under ROOFTOP
Records stable.
The album
featured artists like Tuks, Rasekgantsho
(from ntjapedi) Zubz, Lilly Million
(Gloria Interlude) and many others, but
was sadly never released commercially due to contractual complication with the
distributing record company.
Most of
the songs from this project have been released as singles on radio and two music
videos from the project are receiving a great from social network platforms and
broadcast forum like YouTube.
From
conveying messages about the trials and tribulations of an impoverished people;
highlighting political, social, and economic conditions of our society, Mawe2’s
acumen is far from transmitting sexually promiscuous messages that focus on
attaining wealth and power.
And with
“Dreamworld”, his epistles have
become the basic instructions bestowed the youth of SA, not just another rap
culture commodity created by our society’s consumerism; that has de-evolved
from counterculture and gone completely mainstream.
When
American rappers, who are seemingly so influential on the local scene, are not
the only proponents of misogyny but perpetuator of the culture of mistrust for
black womanhood, a new breed of rappers understand and bear some responsibility.
“Loving
deeper when broken”, as Mawe2 says in his Something
is Wrong is the new masculine passion that exudes respect for queens.
Their aim
is to challenge the status quo and move away for the reproduction and
reinforcement of the historical degradation of black womanhood.
After a
decade-plus on the Hip Hop scene, Mawe2 has earned his rap dues card.
I came
across the album via The Herbalist,
another Vaal based MC whose music is yet to take centre stage.
Dreamworld has set the stage
for his soon to be released EP "GIG"
(God Is Great).
His
textured flow, accompanied by dramatic atmospherics of heavy beats, instead of
proclaiming a gospel of sodden lyrical deliverances, his second sophomoric album
is becoming an ecclesiastical blueprint for local Hip Hop.
As expected
it is riddled with tranquilizing musical interludes that spring something conversational
after the jabs of lyrical provocations of tracks like Do They Hear Me Though and Green
Rush.
These
skits are perfect Go-Betweens that somehow make his underground purism
palatable to the layman.
This MC
is bound to Live Forever with a clean
conscience even beyond This Time.
GIG will be released for
free download on his website www.mawe2.co.za and other web-based platforms.
big up for a great article, we should read/hear more about the positive aspects of this hip hop movement, particularly from a pan-africanist perspectives. i'm sure theres a lot more other artists who are going through what mawethu had to go through.
ReplyDeleteMawe2 is like a movie scripwriter, he gives us the real picture of what's going on in his thoughts, his thoughts are universes. true lyricist, big ups.
ReplyDeletehi tjobolo been looking for this album do you know where i can get it?
ReplyDeletewhen can we still get your old stuff
ReplyDelete