Founder member of the “Staffrider ” literary and art journal, Short Story Writer, film script writer and script editor, Mtutuzeli Matshoba is among South Africa ’ s select literary activists who through their writing, despite the draconian censorship system of the 70 and 80 ’ s, were able to address the social problems caused by racial discrimination in all areas of South African life.
His
collection of short stories on urban black experiences in the 70 ’s, Call Me
Not A Man was published in 1978 and followed by “ Seeds of War ” a novella on
forced removals that won the Southern African English Academy Pringle Award for
Creative Writing in 1980.
The interior life of Mtutu: Psychological
fact or fiction?
K. Ratele
This article
seeks to understand the routes to, and pasts, possibilities and forms of, the interior
world of the African or black person in its relations to the politics and
economy of superiority and separation. The world that is explored is primarily
sexual, and therefore, incorporates embodied life, but of necessity widens to
include affective, cognitive, and purposeful aspects. In the face of the
scarcity of scholarly psychological literature in the area of the intimate
lives of black individuals, particularly when seen against the backcloth of
colonial and apartheid arrangements, the article begins by arguing for the
importance of turning to other, imaginative, sources for help in trying to
comprehend African interiors.
It then
turns to meanings of intimacy on which interiority is indexed, going on to
discuss the notion in relation to the social, political and economic history of
South Africa, while taking in the notion of soul along the way. Next, the
interest of colonial and apartheid regimes in intimacy is traced, showing that
this interest stretched beyond interpersonal relations to the very calculus of
discrimination and domination. The article concludes by urging African scholars
to take black inner life a little more seriously and without abandoning
creativity, still locating such efforts within radical and ethical theoretical
frameworks.
In this
study an attempt has been made to measure the attitudes of a clearly defined
and articulate group of Bantu generally, and also of particular tribes within
that group towards the Bantu themselves and other racial groups. An attempt has
been made to discover what the Bantu think and feel not only about themselves
and other racial groups, but also about their particular situation as urban
Bantu within the white social structure — Edelstein, What do young Africans
think?
Mtutu in the
title of this article is a fictional character in one of Mtutuzeli Matshoba’s (1980)
stories. With this character, Matshoba sought to make us empathise with not
just Mtutu’s disgrace at the hands of the white politico-economic structure but
the subjection of black people in general; indeed, to rage against the
inferiorities power is capable of causing a people to experience. Given
Matshoba and other earlier writers’ interventions in respect of African
interiority, one way of starting off is by asking whether we now know more
about the black inner world, and also whether, in fact, there ever was such a
world waiting to be rediscovered; a world that psychology has missed,
overlooked, or treated too lightly? In other words, what is it that we did not
know before, and with the help of Matshoba’s Mtutu, can at present make claims
about with increased certainty; about what ‘the Bantu’ felt and thought
regarding herself and her others against a history of an anti-black capitalist
patriarchal social structure?
In spite of
studies such as Edelstein’s (1972) cited above, on the one hand, and the
meagreness of psychological work about black life, on the other, there are
certain things about which we1 can make claims. For example, that the policy of
separate development and the ideology of white supremacy had certain
fundamentally unfavourable effects on the forms of black people’s affective,
cognitive, motivational, relational and cultural lives is a reasonable claim to
make. Unless one’s approach to African life is coloured by a certain kind of
politics and ethics, to assert that apartheid affected black people negatively
is something that readily makes sense.
Indeed,
unless one starts out with certain epistemic, ethnocentric and class biases in
studying life in black communities, it ought to be hard to escape the fact that
colonialism and apartheid were bent on inventing a certain African world –
while these structures were, simultaneously, set on distorting extant
ontological and cultural realities and practices of Africans. I take the
measure of reasonableness further to mean that, of course, Africans did not
have to read that many black people lived in poverty, in sparse small brick
houses or in shacks; nor that black people knew racism but still might have
shared and laughed when talking of the banal humiliations at the hands of their
white masters, madams, police officers, and the strangeness of the white world;
nor that being black a person grew up with people who got gaoled and others
murdered by the white regime’s forces for daring to fight for a semblance of
‘normal’ life.
Still, there
are storytellers, like Matshoba, who wrote of some of the effects of racism on
black subjectivities and intimate life (see, e.g., Abrahams, 1946/1976; Gordimer,
1984; La Guma, 1991; Nkosi, 1987; Peteni, 1976; Plaatjie, 1930/1978; Tlali,
1979). Late in the last century, there also emerged a small group of
progressive scholars who showed in varying ways this same fact: that colonial
and apartheid arrangements had adverse consequences on what we feel and do not
feel, and what we think and what we do not, about others as about ourselves
(see, e.g., Bulhan, 1985; Butchart, 1998; Dawes and Donald, 1994; de la Rey,
Duncan, Shefer, & van Niekerk, 1997; Duncan, van Niekerk, de la Rey &
Seedat, 2001; Foster, 1991; Mama, 1995; Nicholas, 1993).
It goes
without saying that socio-political and economic arrangements in the colony and
under apartheid overlapped with local and global capital structures: an unequal
relation, as is known, always mimics other inequalities, though never in a
simple nor straightforward manner; racial hierarchies rework class structures;
gender inequalities are entwined with economic disparities; discrimination
based on sexual orientation goes back to the same source of power as other
kinds of discrimination; and geopolitical resource disparities overlap with
other forms of disparities (see Fanon, 1986, for a version of this mimicry). In
talking of the effects of racialised development and segregation, one cannot
avoid for long what might be termed, cautiously, other social and cultural
organisational forms, with which, as just suggested, we are viscerally
familiar, and to which now and then we run for cover from the quotidian
degradations racist capital subjects are subjected to.
However, one
could be asked why state such unremarkable claims, for it is only to prejudiced
scholarship that it is not blindingly clear that the orders of inequality that
black people were socialised into, and against, have infected their thoughts
and bodies, restructured their inner worlds, and influenced their relations
with one another? First, while the claims have come to be taken for granted,
what is still far from certain is whether it is clear as to what the complex
trajectories, character, meanings, and possible futures of these effects are.
Second, it seems that we shall never be as confident as we could be about the
routes the processes of racial and ethnic differentiation and identification
follow in refiguring what one learns to find offensive until we have studied
the structures of one’s emotions, relations, thoughts and motivations against the
backdrop of the histories, plots, rules and designs of racial separation and
white power. Third, it appears that more work needs to be done about what our
guts find objectionable, why our soul finds some things unnatural, what we feel
to be perverted.
There is a
great deal of research and theoretical studies that is called for around what
is thought of as desirable and pleasurable, or immoral and pathological.
Finally, in seeking to comprehend the modulations and methods of colonial and
segregationist arrangements, as Valentin Mudimbe (1988) has averred, our tools
have to be trained not just at land and economic relations but at what can
reasonably be expected from psychology, ever at the ready to domesticate and
rewrite the interior worlds of the black.
While one of
the intentions of this article is to continue the project of playing with such
racial tropes as ‘the mind of the Bantu’ or ‘African personality’, on the one
hand (as, of course, the black, the native, the Bantu, being exteriority, does
not have an interior life; and an anterior, more important point is that there
is nothing like the African, the black), it simultaneously gets on with the
much-needed efforts of building comprehension about the unwritten psychologies
by which some sections of the populace live. I should indicate that though
there is little on the subject of the interior lives of African people to be
found in psychology (and again one must recognise that the discipline has been
less than diligent in its dealings with the subject of blackness), there is no
a priori native world for which I am arguing.
The
questions posed in this article are: if apartheid and colonialism did mangle
our other, hidden, and for the sake of argument, more ‘real’ selves, how was
this done and how certain are we that these regimes recast us into things we
are not naturally, in other words, that we would have been different beings if
it were not for their machinations?
Still, why,
if all this rings true, did we allow their superiorities and hatreds into our
hearts and minds; in other words, how complicit are we in its objectifications,
exoticisms, hatreds and fetishes? Additionally, having danced at the death of
apartheid, how long can we go on holding it culpable for our reactions when we
feel our bodies fill with anxiety on seeing ourselves being looked at by
others, or when we get excited on witnessing one of ‘us’ bloodying the face of
one of ‘them’?
The purpose
of these questions is primarily to search for places where we can find ways to
understand African interiorities and, at the same time, to try to comprehend
their configurations, pasts and promises. This is done by focusing on sexuality
and nearby bodies, but more widely (yet more acutely) on intimacy, in its
relation to racial oppression and domination. In other words, the object is to
find out how we felt, thought about, and ‘did’ intimacy in a white male-ruled
world, as much as trying to find where to go to find out about the unseen lives
of Africans.
The article
begins by arguing for the importance of looking at other sources of understanding
intimacy in the face of the dearth of psychological literature on the subject.
It then turns to the apparent insignificance of intimacy in relation to
concerns with politico-economic transformation, going on to describe what we
have in mind with the notion of intimacy, taking in along the way the notion of
soul. Next, it traces the nature of the interest of the colonial and apartheid
legislator in intimacy, showing that the interest stretches beyond personal
relations to the calculus of racial difference as well as the related ideas of
home, community, culture and, more importantly, the self.
FICTIONS ON LIFE INSIDE AFRICANS
In looking
at black life in the colony and under apartheid, one might speculate that a black
man or woman was not always afforded the chances (by, ironically, both white power
as well as by other blacks) to live as a person, that is, to live an ordinary,
idiosyncratic, if not, of course, free life. By this I also mean that rather
than having opportunities to grow and have a full and complex inner life, black
people might have felt compelled to live out their lives in the dark, like
phantoms, after Ralph Ellison’s (1952/1965) characterisation of ‘Negroes’ in
Jim Crow America. At the same time, here in this country, as in the United
States of America, black people were obliged to live a good part of their lives
front-stage, as workers (Ratele, 2003). This phantom life lived in public meant
that a black person was likely to be found violently oscillating between
hyper-visibility and invisibility (see Franklin, 1999; Williams, 1988).
The
assumption, however, begs the question whether African people did not have a life
outside of the clutches of white capital and a raced society. One obvious
answer is that, of course, there was a life. Another response that can be
posited is that, of course, there was a life but from the point of view of the
discipline of psychology, we cannot say much about it, as this is one other
area where the discipline continues to under-achieve.
If there is
a hypothesis guiding this article it is that even if there was ‘a life inside’ blacks,
a world that can be shown to have developed outside of patriarchal racialised economic
power, it was likely to be characterised by a limited set of tropes of relating
or of being that global racial capital power provokes and the policy of
segregated development elaborates in the first place. The Empire and Afrikaner
Nationalist rule induced or coerced black people to develop stereotypical and
simultaneously divergent ways of behaving for different publics (see DuBois,
1903/1996): one set of behaviours would be for the outside, white world, and
another, and it might be argued, ‘authentic’, set of practices for home, the
insiders. Mostly because of the violence that underwrites their lives in
colonial and racist settings, there is an argument to be made that African women
and men learn to turn their existences inside out.
In an
anti-African world, Africans learn to live a good deal of their lives outside –
on the surface of their skins, outside their bodies and heads, outside their
homes, on the streets, in shebeens, in suburban kitchens – and ending up at
times believing that this is all there can be to it. A possible result of a life
produced under these conditions is, as we see from the description of intimacy
that follows, one not characterised by warmth, self-love, being close or
opening up to another, but more likely their opposites.
One of the
obvious implications of such a hypothesis is that were local psychologists to
turn some of their tools towards the inner life of Africans, their explorations
would have to go further than where available investigations tend to stop. For
one thing, such explorations would set out to comprehend the likelihood, paths
and character of what Benigni (1998) tried to do in La vita e bella. What the
director sought to do with that fi lm was to offer us both the ever-present
need for a beautiful life, as well as questions of what, under inhuman
conditions, such a life might look like. It appears somewhat important for
psychology to help us understand this possibility: of a full, creative, but not
politically abstruse or unethical existence in a capitalist anti-black
misogynistic world. There is therefore a need to look into how people can live
better against a history and dominant culture that warps their structures of
feeling, being and relating.
As
suggested, the routes to how to do this, and in particular to thinking our way into
the interior space of Africans, are for the most part underdeveloped. There is
very little pertinent local research or creative theoretical literature on the
subject of how Africans made sense of their lives under and against apartheid
(however, see Manganyi, 1991). It is for this reason that we have to set out
deliberately to find whether others outside the discipline have done work on
the topic. This step is also intended to undermine the looting raids on
everyday life, oral stories, imaginative literature, popular culture, and other
resources that mainstream social science conducts, before repackaging and
selling back to the general society their scientific facts and insights (see
Hook, 2001; Parker, 1999). Critical intellectuals have to borrow where they
can, but ought to acknowledge their debts and pay them (see Holdstock, 1981).
As for the edge of this move, it lies in another underlying argument: that
psychologists produce and circulate their own brand of fictions all the time.
The major
sources this article seeks to persuade the reader to consider as both rich and
legitimate in trying to understand our interior lives include popular culture,
film, television and radio dramas, advertisements, music, poetry, novels and
short stories. It is on fictional writing that we concentrate. In turning to fiction
though, Zimbabwean novelist Yvonne Vera. She points out that any effort such as
the current one is likely to lead to disappointment, as African fiction has
tended to concern itself with spectacle and social life, as opposed to
subjective worlds, a criticism that Njabulo Ndebele (1991) has also made.
Talking to Carita Backström (2001) Vera is said to have commented that [the
books she writes] are very much explorations of internal, psychological worlds
and intimate portrayals of . . . characters. This is something which I always
thought was lacking in African writing, that we are not taking the internal
worlds of our characters seriously, that we are not exploring that . . . I have
not read a book that really took seriously the psychological profile of an
African character. If
imaginative literature does not take the internal worlds of Africans seriously
we might be in worse trouble than we thought.
However,
perhaps Vera is excessively harsh. Some writers from Zimbabwe and South Africa,
as well as all over the continent have tried to explore these subjects in their
work. In Zimbabwe mention can be made of Chenjerai Hove, the feminist novelist,
Tsitsi Dangarembga, and the anarchist, Dambudzo Marechera. From South Africa,
recent offerings on black intimate life include K. Sello Duikers’ Quiet
violence of dreams, special for being one of the few novels by a black writer
to explore gay life in an explicit fashion, and Ndebele’s The cry of Winnie
Mandela. Going into our pasts, one finds a host of writers, with the short story
form in particular, who have tried to portray the intimate lives of their
characters.
There is of
course much more work in imaginative and psychological literature that is needed
on the topic, but there is some space-clearing and redefining that has already been
done and should be acknowledged. If there is little to go on, we must still
harness what tools are at hand, including fiction, to help us in our radical
struggles around psychology and in seeking to understand our lives. Before
getting back to fiction about African lives, let us take a look at what
intimacy is thought to be.
INTIMACY
There are
varying descriptions of the concept intimacy. There is also much that is common
among them. One of the common elements in the definitions of intimacy is that
it is at times employed as a synonym for sexual intercourse. For instance, the
Heritage illustrated dictionary of the English language states that, in plural
form (intimacies), the term refers to ‘illicit sexual intercourse’ (Morris,
1975; see also Brown, 1993). In addition, and of at least equal weight, is the
fact that intimacy is taken to refer to being marked by close acquaintance,
association, or familiarity; pertaining to one’s deepest nature; what is
essential or innermost to oneself; characterised by informality and privacy;
very personal, private and secret (Morris, 1975, p. 686). The new authority of the
English language: The new Shorter Oxford English dictionary states that it
refers to close familiarity or union, an innermost nature or inward quality
(Brown, 1993).
The Collins
English dictionary and thesaurus (CEDT) similarly defi nes the term as meaning
close or warm friendship or understanding, personal relationships, and as a euphemism
for sexual relations (2000, p. 626). In addition to these, the CEDT gives the
meaning for the adjective as deeply personal, private, or secret and having
deep or unusual knowledge. It gives familiarity as the core synonym, followed
by closeness, confidence, confidentiality, fraternisation and understanding. As
suggested, the idea of intimacy is seen as opposed to that of alienation,
aloofness, coldness, detachment, distance, estrangement, remoteness and
separation. The Concise Oxford thesaurus identifies the core synonyms for
intimacy as closeness and sexual relations. In addition, it provides the
following synonyms for the former: togetherness, affinity, rapport, attachment,
familiarity, amity, affection, warmth and others; and for the latter, sexual intercourse,
sex, lovemaking, copulation and coitus (Waite, 2002).
Scholars of
intimacy are also not in total agreement about the meaning of the concept, but
there is common ground to be found in their definitions. The concept is seen as
referring to the ability to make a strong commitment to others, which is a
description that harks back to Erikson, and thus constructs intimacy as related
to a strong sense of personal identity and as opposed to isolation (Davis &
Palladino, 1997). Other authors define it as a dimension of love, which refers
to how well one can talk to and confide in one’s partner (Kalat, 1996); a
relation involving strong emotional attachment and personal commitment (Sdorow,
1993); and experiencing the essence of oneself in intense relationships with
others (Cox, 1987). In spite of the disagreements then, most descriptions of
intimacy refer to a number of common elements: mutual and reciprocal
interaction; feelings of shared commitment and cohesion; in-depth physical,
emotional and cognitive awareness of, and expressiveness towards, someone;
self-disclosure; and a generalised sense of closeness, bondedness and
connectedness, amongst others (see also Jamieson, 1998; Moss & Schwebel, 1993;
Prager, 1995).
Taken
together, the above descriptions reveal that just as intimacy can be understood
to refer to what happens between individuals, it can also be understood as something
that a person interiorises. The implications of this double meaning are important.
Intimacy is not only a way of relating to others. It is simultaneously a way of
comprehending relationships in the world and acting on them, a language that an
individual takes in and which, in turn, shapes her or him. This last kind of
intimacy is what might be called an intimacy of self; in other words,
self-knowledge. It comes close to being redundant to speak of an intimacy of
self because the latter concept, like intimacy, refers, inter alia, to an
individual’s innermost life. Whereas intimacy is commonly understood as what
happens in a sexual love relationship, or between friends or spouses, intimacy
of self refers to how one comes to be aware of and know oneself.
Parenthetically,
a person’s innermost life is also what at some juncture in history and in some
cultures might be termed soul. When psychology is defined in an outmoded way
(see Billig, 1996) and taken, for example, to mean the study of consciousness
or experience, rather than strictly individual behaviour, the relation of
intimacy to soul, which we elaborate below, is easy to apprehend. More
critically, the close relationship between the soul or psyche and intimacy
further suggests that a psychology that cannot come to terms with people’s
inner world, which is purportedly its subject, is at best performing below par.
However, even if psychologists continue to be married to the idea of the
discipline as concerned with studying behavioural data or cognitive processes,
would we not want it to be serious about a person’s relationships to others as
well as to himself or herself? And does it not open up investigative
possibilities to situate these relationships within a culture and society?
CONTEXTS OF INTIMACY
Defined in
the two ways above, as also including a process and a discourse that a person interiorises,
the notion of intimacy comes to incorporate knowledge of the body. And seeing
corporeality as critical in understanding intimacy has attractive
possibilities. Notwithstanding, it seems that not placing how individuals come
to understand and relate to their bodies and others’ within a particular
context precludes an even fuller understanding. It is for this reason that, in
the context of South Africa, it is important that intimacy is seen against the
historical and contemporary backcloth of subjection and supremacy.
Defining intimacy
from this context leads us to recognise that awareness of others and of the
self always references specific bodies and places. That is to say, it can be
shown, for instance, that generally, for heterosexual men, to talk of intimacy
is to speak of bodies of women and not men, and for Europeans of Europeans and
not Africans; that affective and motivational lives are always speaking of
particularities, of the lives of young people or the elderly, of the middle
classes but not poor people; that is also to say, knowledge of relating and
constituting oneself emerging out of particular cultural, political and
economic historical junctures.
Requiring
further emphasis in this understanding of intimacy are the elements that are
highlighted as important, for some of these elements tend to lie on the blind
side of psychology, beyond the analytical or therapeutic work that is supposed
to help in cultivating psychological insight into our lives. This is so because
such understanding is facilitated by, among other things, what might be called
the external coordinates of inner life. These coordinates are what circumscribe
how people get to know and relate to others as well as to themselves; part of
economic, cultural and political structures that define and track people’s
personal lives. This last point, of course, points to the fact that it is a
grossly individualist psychology that has tried to explain our emotional, mental,
and physical health in isolation from the larger context of society (see Truth
and Reconciliation Commission of South Africa, 1998).
A human
being’s interior life is produced in relation not just to other human beings,
but also within a universe of insensate facts, practices, and entities that
include livelihoods, images of goods that persons see in magazines, on
television and billboards; in the context of the church, schools, clubs and
‘societies’ they belong to; with conditions defined by the state, laws,
policies, and political organisations of which they are members. All these
shape in several and at times clashing ways how individuals develop their interior
worlds and engage in intimacy. For example, consider how household size, living
conditions and income levels might have an impact on psychosocial and physical health,
thus affecting the ways in which we are enabled to ‘do’, or impeded from, ‘doing’
intimacy?
Generally
speaking, it is said that smaller families, with adequate space, are conducive
to the development of emotional and mental health. Given this understanding,
one is left to wonder what sort of intimacy is possible, produced, and played
out in the 1.8 million African households in which there is only one room to live
and sleep (Statistics South Africa, 2003). And for the more than 1.3 million
poor households who have more than seven or more members, developing intimacy
is likely to be more difficult than for those from better-off, smaller
households. There is also an increased probability that the development of
intimacy is negatively affected by living in sub-standard conditions and
unemployment. Here it is worth noting that more than 1.7 million African people
live in shacks or informal dwellings, either in someone else’s backyard or in
‘squatter camps’. According to the Labour Force Survey of 2001, 47.1% of
Africans are not economically active. Census 2001 puts the figure of the
unemployed close to 3 in every 10 (Statistics South Africa, 2003).
The fact
that our interior lives are formed and intimacy takes place in the context of
politics and the economy is applicable to every member of society. The
materials each is afforded to work with mean that the forms interiority takes,
and how our sexual and bodily lives shape up can differ radically between
people.
In other
words, although power structures the territory within which we all work out our
interests, pleasures and phobias, the crowded physical and social space applies
only to those who have limited access to material resources. The point here is
that to know what the individual desires or is revolted by, he or she has to
recognise it first. For an individual from a poor family, the opportunity to
know himself or herself well – and if he or she does not particularly admire
what he or she learns about himself or herself, to find time and change it – is
relatively more restricted than for somebody from a middle-class family.
In an
anti-black market-driven world, it is more likely to be a middle-class white
person rather than an African who is afforded the time and latitude to
negotiate the snares of the dominant culture and work out their fears, tastes, revulsions,
and interest – though this does not mean that whites are better adjusted psychically,
emotionally smarter, or have better relationships than black people: the opposite
could in fact be truer. What global capitalist culture does to poor people, white
power did to black people, with something about the latter found in the Truth and
Reconciliation Commission’s submission that ‘South Africa’s history of
repression and exploitation affected the mental well-being of the majority of
its citizens’ (1998, p. 127).
Another way
to see it is that apartheid denied black people enough opportunities to nurture
a certain sort of ordinariness, of being seen and seeing; thus, at the same
time exacerbating and multiplying the complicated games a person has to engage
in to participate fully in subjugated African cultures. It appears as if the effects
of that historical white power continue to be felt in post-colonial society.
For example, of the over 1.8 million Africans reporting a disability of one
kind or another in 2001, 227 150 reported an emotional disability and 62 480
indicated a communication disability (Statistics South Africa, 2003).
SOUL IN POLITICS AND SCIENCE
Intimacy has
been described as overlapping the soul, and this notion is referred to in
several instances above. To speak of a soul to people who aspire to a world
that runs along rational laws is not advisable: words like that can be indulged
for a while; repeating them more than a few times though could be regarded as
backward; not just unscientific but primitive. However, scientificity is a
pretension that is too dear to engage in, if by science it is meant the
objectification of humans found in mainstream psychology (see Holzman &
Morss, 2000; Kvale, 1992). In any event, in the scientistic demeanour of
mainstream social science, the soul is something some of us might tend to shy
away from; if we have dealings with it, the general preference is not to do so
in public.
The notion
of soul still has currency in certain cultures though: many people talk about
the soul freely, the soul being to them as real as the body. Perhaps it helps
to note the historical importance of the soul to Western philosophical
traditions in making the case for talking about this entity. Juxtaposing the
body with the soul, René Descartes argued strongly for the distinctiveness,
certainty and indeed superiority of the soul when put next to the body. For the
father of Enlightenment, the soul was the only certainty after God.
‘Finally, if
there are still men who are not sufficiently persuaded of the existence of God
and of their soul by the reasons I have given, I would like them to know that
all the other things of which they think themselves perhaps more assured, such
as having the body, and that there are stars and an earth, and such like, are
less certain’ (Descartes, 1968, p. 58).
It is
important to note that beyond the presence of the soul in historical and
contemporary philosophy and social, political and scientific life, what is also
significant is that it is frequently equated with both mental and emotional
events, self and consciousness. Descartes’ principle of cogito ergo sum, read
with his argument in the excerpt just quoted, attests to this sameness. In his
translation of the Discourse on method and the meditations, Sutcliffe (1968)
also equates the soul or mind that Descartes writes of not just to
consciousness but also explicitly to the self.
A number of
radical scholars have also spoken of the fact that despite the apparent rejection
of the soul by the contemporary scientific community and secular modern society,
it remains deeply ingrained in the texture of scientific practice as well as in
political arrangements and everyday life. Departing from Michel Foucault’s
analyses, Nicholas Rose (1989), for instance, has shown that the human soul has
perhaps always been an immediate subject of power, arguing that in recent times
the soul itself has entered directly into politics and government. Foucault
(1986) himself, of course, devotes attention to the matter in, for example, his
work on the care of the self. There he shows that socio-medical sciences have
always found a part for the soul to play in the scheme of things. (Foucault, of
course, pays attention to earlier philosophers, the Greeks, Rufus, Galen and
Artemidorus, to trace the routes by which the soul comes into contemporary
scientific, social and political life.)
However, for
us, drawing attention to the soul has to do with the fact that apartheid policies
were not just about keeping black people disenfranchised; nor were they merely
about separate entrances for different ‘race’ groups and sub-standard toilets
and second-rate buses for non-whites. For one, the policy framework of racial
separation and inequality sought to decide where and how, as native, you lived,
what, as a Bantu, you did at school and how far you went with it, and if it did
not entirely decide whom and how you loved, it made sure from which ‘population
or ethnic groups’ your friends were likely to come and from what group you
would marry lawfully. Apartheid rule, or those who worked for it, gave many
African individuals not just the names (such as Peter and Petrus) they carried
in their passes: as an apt colloquialism has it, it made sure that lessons in
inferiority and baasskap (mastery) got under their skin, into their heads and
hearts, their eyes and ears and other senses. In other words, colonial and apartheid
politics were meant to determine the many little things we are falteringly learning
to take for granted as well as the major questions of existence. Racism and capitalist
power wanted nothing less than souls: to produce them, or where an African had
escaped them, disable and hush her or him up, turn them, reorder their world, or
everything else failing, eliminate them.
It is worth
noting here that many researchers and theorists on the colony, apartheid, and
post-apartheid relations remain unprovoked by the effect of these arrangements on
questions of self and relational life. It is especially when studying matters
such as social life and interpersonal relations, but also other relations such
as motherhood, family, friendship and childhood, that we are impelled to
demonstrate how these phenomena are related to existential regimes and the
iconicity of ‘race’. This critical move is largely missing in most studies on
these phenomena, even those that can be regarded as progressive.
Rather than
surprising then, it is comprehensible why the government of apartheid was
interested in the intimate life details of those it ruled. It is perfectly
reasonable that if the white ideologues of apartheid wanted to uplift whites
and keep blacks down they would be interested in what black people did not just
in white homes but in their own homes as well. Reasoning thus leads us to
understand how white lawmakers would want to define intimacy; what was fit
for blacks and whites; was ‘home’ for blacks and whites; and all that was fit
and normal or unfit and abnormal to do with blacks, if you were white, in your
home.
KNOWING ONE ANOTHER
Mtutu, as
noted at the beginning of this article, is a character in To Kill a Man’s
pride, a short story by the Soweto writer, Matshoba. Matshoba is one of the group
of writers of the 1970s and 1980s that included Sydney Sipho Sepamla, Ahmed
Essop, Miriam Tlali, Oswald Mbuyiseni Mtshali, Mbulelo Vizikhungo Mzamane,
Mongane Wally Serote, Mafika Pascal Gwala and others; a group sometimes
disparagingly referred to as struggle or protest writers, who tried to focus
our attention on the nightmarish quality of the day-to-day lives of black
people before the advent of democracy. Like his creator, Mtutu lives in a
township erected by apartheid planners on the outskirts of a white city where,
like other black men and women, he is supposed to make his way daily in order
to make his labour available if he is to make an honest living. In describing
Mtutu’s life, Matshoba wished to fictionalise the shame apartheid set out to
inject into black individuals’ bodies, psyches and their relations to
themselves and one another, as well as putting before his readers the
incredible designs African people were forced to draw in their efforts to have
‘normal lives’. Matshoba returns to the themes of disgrace, a society gone mad,
and psychosocial death on several occasions.
In the
story, Call Me Not a Man, for
instance, which is about another character, the writer puts before us a litany
of everyday humiliations and a complicated life early on that makes you want to
protest or laugh out loud, cry, vomit or strike out: By dodging, lying,
resisting where possible, bolting when I’m already cornered, parting with invaluable
money, sometimes calling my sisters into the game to get amorous with my
captors, allowing myself to be slapped on the mouth in front of my womenfolk
and getting sworn at with my mother’s private parts, that component of me which
is man has died countless times in one lifetime. Only a shell of me remains to
tell you of the other man’s plight, which is in fact my own (Matshoba, 1979, p.
18).
Similarly, To kill a Man’s Pride tells a tale of
the labour conditions of black workers, life in hostels and other mundane
violences of life under apartheid. In the extract below, Mtutu describes the
familiar wretchedness of ‘80 Albert Street’, the pass-office: We were all
vaccinated in the first room and moved on to the next one where we were X-rayed
by some impatient black technicians. The snaking line of black bodies reminded me
of prisoners being searched. That was what 80 Albert Street was all about. The
last part of the medical examination was the most disgraceful. I don’t know
whether it was designed to save expense or on some other ground of expediency,
but on me it had the effect of dishonour. After being X-rayed we could put on
our shirts and cross the corridor to the doctor’s cubicle. Outside were people
of both sexes waiting to settle their own affairs.
You passed
them before entering the cubicle, inside which sat a fat white man in a white dust-coat
with a face like an owl, behind a simple desk. The man who had gone in ahead of
me was zipping up his fly. I unzipped mine and stood facing the owl behind the
desk, holding my trousers with both hands. He tilted his face to the right and
left twice or thrice. ‘Ja, Your pass.’ I hitched my trousers up while he
harried me to give him the pass before I could zip my trousers. I straightened
myself at leisure, in spite of his ‘Gou, gou, gou!’ My pride had been hurt
enough by exposing myself to him, with the man behind me preparing to do so and
the one in front of me having done the same, a row of men of different ages
parading themselves before a bored owl. When I finished dressing I gave him the
pass. He put a little maroon stamp somewhere in amongst the last pages. It must
have meant that I was fit to work.
The medical
examination was over and the women on the benches outside pretended they did not
know. The young white ladies clicking their heels up and down the passages
showed you they knew. You held yourself together as best as you could until you
vanished from their sight, and you never told anybody else about it (pp.
113–114).One of the things from this extract that strikes one is the
realisation that it is possible for there to be (a form of) ‘intimacy’ without
attachment, connectedness, warmth or reciprocity (see CEDT, 2000; Prager, 1995;
Waite, 2002). It is possible for people to relate to one another and live
together without one or both being present in the encounter – in a certain
sense, apartheid. Mtutu and the other black men have to show their private
parts to another man in order to be permitted the right to work. In other
words, their private parts are not private. White power and capitalism, with
the help of the cover story provided by science, have a right to black bodies
and do not care about what those whose bodies they are feel or think. The
scientific cover story is that to work, in a factory or anywhere, to get
permission to work, it is necessary to be healthy, and more to the point, to
have healthy genitalia.
Another
point that strikes us is the pretense that must be maintained between African men,
and between them and African women, if a semblance of self-respect and respect for
one another is to be possible, a theme that is also clear in the earlier
quotation. For the men and women in Matshoba’s story to have an inner life,
white society made it necessary to hide part of themselves from one another,
even though they knew the parts that could not be spoken of. This is not a
problem ‘the young white ladies’ had to deal with, the clicking heels of their
shoes letting one know that they knew, as well as the fact that stories about
bits of black bodies went around the office.
There is, in
this last story, therefore, a strange relation of being, of relating, of looking
and being looked at. One man takes out his penis for another man to look at. It
is neither to be adored for its beauty, shape, length, thickness, or any other
quality we can think genitals might possess. Neither is this act part of
getting ready to have intimate physical relations. The white man whose work it
is to look at the other men’s private parts is portrayed as doing his duty
without a sense of shame – or admiration, though there is a feeling of
dishonour and disgrace on the part of the black men – a feeling that should
have incited the beholder to say to himself: ‘Am I not seeing too much here? Am
I not violating a basic relation between two beings?’ What Matshoba shows is
thus what pornography is essentially about: an absence of closeness and affection,
precisely where one would expect to find intimacy. The lack of mutuality arises
from the fact that the practices at the pass office are part of governmental mechanisms
that sought, willy-nilly, to remind the actors of their differences and unequal
status in the world. Yet, one has a suspicion that this pornographic scene
might be the result of something else. It might be because there are no persons
(in the sense spoken of earlier) in the story, which generates the absence of
human feeling.
Having
recognised what Matshoba is trying to do and having experienced the rage that
he is trying to evoke, it is precisely this very recognition and experience
that leads us to want to read Matshoba one more time. Specifically, we must try
to find out whether the characters are only reduced by the proceedings at the
labour bureau, or if this is also an effect of characters not being fully drawn
by their author? On rereading, but also given what was said in the introductory
part of the article, the first is clear: colonial and apartheid structures were
likely to reduce African life, and, it seems, to a differing degree, did
something similar to white life. There was no need to have full persons under
these regimes, people who were both good and bad – government officials who
would rather quit the public service than be the instruments of humiliation for
others – as there are no fully developed characters in the stories, evinced by
the animal and hunting imagery: bolting, captors, a face like an owl.
However, we
also get drawn by something about Matshoba’s writing of African lives. In Call
Me Not a Man, for instance, there is no escaping how the writer conflates the
fact of subjugation with its experience. It is not true: the other man’s life
is not the narrator’s life. Yet, he says he knows it, this life of the other
man. So how does he know? For he is African, that is the answer; a black person
will know. Is this not the same thing that apartheid, colonialism, racism and
capital do though – flatten our varied experiences to blackness, serfdom, kaffirdom
and poverty, and thus denying us contradictory, multi-layered, changing,
emotional and mental lives? This knowingness is in fact a very central part of
the violence that structures African people’s life, a way of knowing others
that refuses them ordinariness, that is, a life underneath the public one,
interiority.
In
Matshoba’s stories the main shortcoming is then that he does not do enough to separate
the experience of being oppressed from the fact of the political and economic structures
of oppression. To put it in another way, in To kill a man’s pride, Mtutu’s experience
of social and psychic death is treated, as the character in Call me not man intimates,
as the experience of all black males. One of the things that alerts the reader to
this: To kill a man’s pride is the refusal of the writer to name his main
character.
However,
this may be said to be artistic provocation and not really central to the
story. If it is, it is a flat-footed way to stir things up, for it comes across
as an inability to create distance, perhaps to imagine another life different
from one’s own. This gauche posture becomes especially visible when we get to
see the writer’s characterisation of women. Here it is important to note that the
two stories are not just about men’s experiences. Perhaps of greater significance
is the fact that Matshoba makes all African people’s lives men’s experiences.
It might be said though, because of the male-centred view of his work, not in
spite of it, Matshoba has enabled us to imagine how horrible black women’s
lives were if their men suffered thus. But this will not do. The stories are
about men and men’s battles, hurts, and identities. They tell us little about
women and women’s worlds. When what is to be understood is a woman’s intimate
life, the stories have almost nothing to offer. Women at best are quiet
presences; otherwise they are observers of the abjection their men folk are subjected
to; they are swear words directed at men; they are fodder in African men’s war
against the rulers and their henchmen, called ‘to get amorous with captors’. It
is false that the experience of the men of the ‘race’ is the experience of the
‘race’. It is only with the help of feminism that we are incited to read these
concealed but stacked objectifications of black women.
However, it
is true that African men and women were all at one time subject to the same
laws. Consider the influx control laws for instance. It is a well-known fact
that the legislation was meant to keep South Africa white, entrenching the
separation of whites from Bantu and other aliens while keeping a steady supply
of cheap labour, a fact that Matshoba’s stories centralise. And so, one might
mention that in the year in which the edition of the story from which the
latter extract comes was published, 1980, 30 782 African men and 7 063 African
women had been arrested by the South African Police and the ‘blackjacks’ (officials
of the Black Administration Boards) for infractions of pass and influx control
laws in and around Johannesburg and Soweto, which Matshoba, like his character,
would have regarded as ‘home’, in spite of the law.
The total
number of Africans arrested in the country for not carrying a dompas and for
being in a white and wrong place under these laws, was over 81 000 that year.
In the previous year, the total number arrested under these laws was 120 000,
more than 20 000 of whom were women. Pass law offenders accounted on average
for two-fifths of the prison population in South Africa during the 1970s and
1980s. The Southern African Labour Development and Research Unit reported that
pass laws led to the removal of a total of 2 million African men and women from
white South Africa to the homelands, such that between 1960 and 1980 the population
of these places had risen by 14%. In addition to this short history of the role
of pass laws in disciplining black people and encouraging them to keep away
from whites, white spaces and white bodies, influx laws were also employed to
halt and reverse the process of African urbanisation, of course (see Gordon,
1981; Horrel, 1982).
In other words, the passes were used to stop the
development of Africans, not merely separate them from whites. The legislation
was a mechanism used to deny Africans self-determination and self-respect.
Being part of the regime of inequality, pass laws were intended to frustrate
any black effort to grow and live a fully human modern life. Of course,
segregationist and totalitarian regimes are a denial of their ‘others’ to
individualise and socialise on their own terms. But the argument being made
here is that since urbanisation and intimacy are important elements in the
calculus of modern self-making, colonialism and apartheid, on the one hand, and
retrogressive African cultural, artistic or intellectual work, on the other,
should both be our targets (see Diawara, 1998).
In other
words, the argument we are making should not only be levelled at racist
capitalist power and let the conservatism of stories about us from a Matshoba
pass quietly: our critical work should be levelled at undoing the negative effects
of both racism and, for example, African patriarchy at the same time.
Finally, in
attempting to reveal the interior life of black people, the stories by
Matshoba, like all fictional work, including psychological fictions, hold one
final meaning for us. Regardless of their weaknesses, these stories, like
‘stories’ taught to psychology students, come to constitute us, being part of
our sociopolitical and personal inheritance. What this means is that in trying
to trace black life, the story and its author come to figure in how we think of
our bodily and sexual practices, relational lives and identifications. The
stories we hear, read, and get to learn form part of the languages, strategies,
and interpretive repertoires that we come to employ in constructing who we
believe we are and who others are. In fictionalising the social reality of apartheid,
Matshoba has for better or worse helped to shape what we have become, getting
involved in our lives and in how we relate to ourselves, to one another, and in
our struggles with inequalities.
CONCLUSION
If the
assumption that racism and global capitalist culture have an abiding interest
in people’s intimate lives is reasonable, what makes little sense is why
African scholars have not sought to make us understand much more clearly the
intricacies and paths of colonial and apartheid policy makers’ curiosity in
interiority and private relations. Might it be that this is not that important,
not as a public issue; that we have to focus for a little while longer on the
more important questions of basic needs, poverty, unemployment, water, health,
housing, land, electricity and the general imperative to transform society?
There must be doubt, insofar as there appears to be a general and
incomprehensible lack of interest by African psychologists, and social
scientists in general, outside of feminist dialogues, in exploring this side of
colonial and white power (however, see for example, Manganyi, 1973).
I believe it
is critical that we seek to understand the histories of our relations and
interiors, and that includes our emotional worlds, motivational lives, and
personal relations to one another. Intimacy is too important to ignore. Women’s
struggles around the world have long let us understand that the personal is
bound to the political. And so intimacy, as we have tried to show, is more than
a simple personal relation, developing as it does out of the grid of sociopolitical
and economic power. Therefore, our relational lives and interiors are part of
the corpus of needs and power arrangements that we have to address and change.
Also, if
violence, especially that by men against women and other men, is a social and
political problem that undermines and shames our nation’s transformation, we
cannot not pay attention to the nature of intimate relations in our culture. If
our nation’s development partly depends on such indicators as fertility rates,
population growth, mortality, and HIV/AIDS rates, not dealing with our private
relations to ourselves and to one another will not help. Seeking to understand
intimacy must form part of the effort to change male practices, men’s and
women’s relations to their bodies and to others’ bodies, of women’s
reproductive and other needs, of children’s health and other needs, let alone
the nation’s needs. It is critical that we seek to understand ourselves, and
that includes our emotional and mental worlds and psychological relations to
one another in the context of a racist world.
Note
One of the
reviewers of this article suggested that I state expressly my aim in switching between
the use of personal plural and singular pronouns, as it might go unnoticed or
get misinterpreted by some readers. The use of the terms we and I, as he
observed, is neither incidental nor happenstance (see also Ratele, 2001, where
this is explained more fully). Using the terms is part of an effort to signal
in passing to received traditions of writing published in a journal of this
nature. In general, the reference to ‘we’ is a signal to a diffuse, generalised
lived experience that I am attempting to recover, surface and analyse. At the same
time, the personal singular form is used when I wish to indicate an
idiosyncratic input, challenging how black lived experience is explained and at
once demonstrating the variegated and contested nature of African identification.
ACKNOWLEDGEMENTS
A version of
this work was first presented at the Nordic Africa Days, held in Uppsala,
Sweden from
3 to 5 October 2003. Grateful acknowledgement is due to K. Mohamed for
commenting on the article. Thanks also to Garth Stevens, Peace Kiguwa and a third
blind reviewer for their readings.
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The article
was first published for the Department of Psychology, University of the Western
Cape, Private Bag X17, Bellville, 7535, South Africa
e-mail: kratele@uwc.ac.za
©
Psychological Society of South Africa. All rights reserved. South African
Journal of Psychology, 35(3) 2005, pp. 555–574.
ISSN
0081-2463
my orland west classic....really spoke to me.still does.always will.-bavino b.
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